Après avoir enlevé et brutalement agressé deux jeunes femmes, un gang se réfugie sans le savoir dans une maison de vacances appartenant aux parents de l'une des victimes : une mère et un pèr... Tout lireAprès avoir enlevé et brutalement agressé deux jeunes femmes, un gang se réfugie sans le savoir dans une maison de vacances appartenant aux parents de l'une des victimes : une mère et un père qui se vengeront de manière horrible.Après avoir enlevé et brutalement agressé deux jeunes femmes, un gang se réfugie sans le savoir dans une maison de vacances appartenant aux parents de l'une des victimes : une mère et un père qui se vengeront de manière horrible.
- Récompenses
- 1 victoire et 8 nominations
Histoire
Le saviez-vous
- AnecdotesBruises are visible on both Paige and Mari's legs during the scenes in the hotel room. According to interviews, the bruises were a result of filming the scenes in the forest, which were filmed before the hotel room scene. The makeup crew tried to cover up the bruises; however, since the actors did their own stunts, the marks were too severe to be covered up by any makeup.
- GaffesThe boat in the film for which they could not find the keys was a newer model Ski Nautique. These particular boats do not use keys. They use a four digit start code which you must input into the keyless ignition panel. This panel is marked by a big red start button.
- Citations
Krug: [to John] What are the odds, man? Of course your little girl had a lot to do with it. You should be proud. How'd you make us, anyway? Did my fucking kid rat us out? That's it, isn't it? My fucking kid! Figured out who you were and blabbered his brains. Hey, by the way, y'all did a bang up job on my brother. He is really fucking dead down there!
- Bandes originalesCatch Me If You Can
Written by Gym Class Heroes, Patrick Stump and Pete Wentz (as Peter Wentz)
Performed by Gym Class Heroes
Courtesy of Fueled By Ramen Decaydance / Atlantic Recording Corp.
By Arrangement with Warner Music Group Film & TV Licensing / Epileptic Caesar / EMI Music Publishing (ASCAP) / Sony/ATV Songs LLC / Nervous Breakdance Music (BMI) / Sony/ATV Songs LLC / Chicago X Softcore Songs (BMI)
The imposing Garret Dillahunt stars as Krug, the leader of a criminal family, for whom kidnapping, rape, extortion and murder are the order of the day. The scenes in which he captures the two girls and then subjects them to a horrendous ordeal within the woods is still a powerfully shocking moment, although thankfully it doesn't go into as much unpleasant detail as in the Craven movie. The scene then shifts to the titular location, which for me is where the film really gets going: it's all about the suspense inherent in waiting for the parents to find out what happened and then watching what they do about it, the classic home invasion premise.
What ensues both delights and disappoints. There's a violent and lengthy scene in which a character is attacked which really pays off, but aside from that what follows is a little disappointing – not least the tacked-on ending involving a microwave, which takes the mildly realistic events of the previous movie and trashes them with a frankly outrageous and unbelievable gore scene.
The cast is pretty good, which seems to be the norm for these modern-day remakes (aside from the teen slashers, in which the cast remain drivelling). Dillahunt excels in the role which made David Hess's name; he's no Hess, but he gets close at times. Tony Goldwyn, previously a villain in the likes of THE LAST SAMURAI, is particularly good as the father caught up in events spiralling out of control, although Monica Potter as the mother has little to work with. Yes, there are a couple of unwise twists where the plot deviates from the original – and horror fans will be disappointed there's no chainsaw this time around – but for the most part this is a workable suspense thriller with enough viciousness to appease moviegoers looking for their latest violent fix.
- Leofwine_draca
- 20 avr. 2012
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Last House on the Left
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 32 752 215 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 118 685 $US
- 15 mars 2009
- Montant brut mondial
- 45 995 223 $US
- Durée1 heure 50 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1