Flood

Out of nowhere mention of this film came from the media because of topical similarities to recent events here in the UK. Now Flood has hit theatres. Or rather a theatre.

A few weeks after the film's press coverage has ebbed from public memory. Devoid of any marketing presence and unscreened for critics, Flood has appeared at the Apollo Cinema in Piccadily Circus.

Perhaps it was a conscious effort not to appear exploitative. Or perhaps the distributor, Lionsgate, were not particularly confident in the product to give it a wide release. This one print release has all the hallmarks of a token outing. Just a contractual obligation to ensure the film does not get straight-to-DVD status.

Independently made, Flood is as bland as it sounds. An ambitious but wholly routine production which suffers from feeling rather too much like recent TV dramas such as Supervolcano and less like the Hollywood blockbusters it wants to be held in the same regard as.

While the disaster film is hardly the most critically popular genre the special effects vehicles do generally have a little more to offer the viewer than this film does. Generally something we haven't seen before.

The special effects are impressive but clearly copy scenes we've already seen. There is nothing creative in exchanging one set of landmarks for another.

Opening with a sequence styled directly from the Michael Bay play-book, Flood's narrative progresses exactly as one would expect. There are no surprises.

Powers that be struggle to come to terms with the situation and suffer ethical crises. The military attempt to seize power. And the heart of the film lies in a heavy-handed father/son rift that must be healed.

Tom Courtney is miscast as the scientist whom no one believes (ala Dennis Quaid in Day After Tomorrow) while Robert Carlyse is the film's male lead. One can't really describe him as a hero. Both actors deserve better than a routine film which shares it's name with an old Irwin Allen film and a recent TV movie.

In fact Carlyse is wholly ineffectual as a star presence in this film since he serves only to consistently remind those who've seen it of the excellent 28 Weeks Later. A novel, stylish and better made tale of a London apocalypse.

Almost the entire cast seem ill suited to their roles and the film as a whole. Only Joanne Whalley walks away with dignity. An oft overlook actress, she plays her role as well as it demands and shows up the unknown US TV star who is the female lead. Elsewhere Tom Hardy is wasted and Nigel Planer is an unusual face to see on the big screen. But aside from Carlyse it's the casting of David Suchet that's most notable.

The ministerial role he plays demands a high profile Brit. It's an attempt to lend the film an air of respectability. In Transformers Jon Voight was there amid the visual effects to serve a similar function. But as good as Suchet is the casting ploy fails. Just as it did in Executive Decision. Suchet and films have never quite gelled. He's no Rickman or McKellan.

Flood is worth a watch on a wet Sunday afternoon, it's certainly not a bad film. Just an unimaginative and forgettable one.

I only watched the movie because Mr. Carlyle was playing in it. Even he played badly. The entire film felt like someone intended it to be a mini series and they were forced to cut it to pieces in order to make it last only 100 minutes. The scenes are going one after another at what I hoped was an alert pace but turned out to be just bad (or forced) editing.

I was actually looking forward to see a British disaster movie, one that would be a good one, not like those Hollywood violin pieces. It was a disastrous film alright, with every possible cliché taken from all the American movies of the genre, but lacking in the directions where US productions shine: editing.

Bottom line: avoid. It is not funny, it is not emotional, not intelligent and not thrilling. Just plain boring.

This is a catastrophe movie set in London . Starting multiple hurricane,superstorm and tornadoes on Scotland are displaced towards East , downing England coast and later the South. After several hours of heavy rainful , the London barrier above Thames is short from running over, and it paves the way for disaster. Then a colossal tidal-wave travel relentless down East causing devastation and lives of millions of Londoners are in danger. At the center of the story is a climatologist(Tom Courtenay) a climatologist who tries to save London from the effects of giant wave , trying to convince the authorities that the town dike was unsafe, furthermore a marine engineer (Robert Carlyle) and his ex-wife Samantha(Jessalyn Gilsig) . They are trapped into the barrier and dropped to sea .Meantime the secret government agency HQ ruled by Nash(Joanne Whalley) under direct orders of deputy Minister(David Suchet) attempt to control many displaced and avoid more dead, approximately 200.000. They have a little time to save London from total catastrophe.

Perfectly acceptable drama-disaster with alright acting. Magnificent Tom Courtenay as a climatologist who predicts catastrophe and excellent Robert Carlyle and Jessalyn Gilsig as ex-matrimony rekindling their love. The movie packs impressive flood scenes brought to life by the breathtaking computer generator special effects, better than the classic of the 70s , such as 'Earthquake, Inferno Towering' and similarly to 'Armaguedon and Day after tomorrow'. Although isn't a clear denounce, we know that the flood is caused by the greenhouse effect and global warming which originates the ozone hole. The motion picture is well directed by Tony Mitchell. I would recommend this movie to people who like disaster movies. Another adaptations about floods, are the following : 'Flood(1976)'directed by Earl Bellamy with Robert Culp and Barbara Hershey; 'Hard rain(1998)' directed by Mikael Salomon with Morgan Freeman and Christian Slater; ' Flood : a river's rampage(1979)' directed by Bruce Pittman with Richard Thomas

Having seen the ratings as 4.8/10 we didn't expect much from this. However we think it's better that that. I've given it a six. It's obviously been made to a tight budget so some of the special effects are not that special and reminded me of 1970's Thunderbirds but on the whole it was surprisingly watchable. I think the actors gave it enough to get it over the line. It wasn't difficult to follow which is good for Saturday evening viewing when you've had a few glasses of home brew.

Oh but this is woeful. One good actor after another turns in lamentable dialogue in half hearted fashion under what must have been incredibly pedestrian direction to consider it acceptable. I like Robert Carlyle and Joanne Whalley is one of my favourite actresses, Tom Courtney can act well when pushed and David Suchet is a professional of the highest integrity but they all wallowed around like fish in a barrel of watery gin. I swear Courtney was inebriated, on painkillers or both.

Was there a good performance in the whole thing? Well yes, David Hood as the junior underground engineer whose mate got washed away looked like he was taking the thing seriously and credit to him for that, it can't be easy when "all around are losing theirs" so to speak, or maybe his scenes came under the direction of the assistant director ( if there was one) I just don't know what these people were doing in a film that was this poor ( other than paying the bills, obviously) I can't begin to say how disappointed I am in them. YOU SHOULD BE ASHAMED OF YOURSELVES!

Any positives other than David Hood the third... yes The aerial shots of London largely submerged were very well done and the effects artists responsible deserved better than to have their fine work punctuated by such a shallow story,if you'll forgive the expression, as those few people that do see them will do so on a far smaller screen than would be to best advantage.

What's going on here? why are British film makers trying to imitate such characterless, spectacle driven, tabloid level genres as the disaster movie and then doing it even worse than the Americans. Gritty realism, character integrity, the capture of real emotion in a way that makes you feel it and care... The Family Way, Spring and Port Wine, Get Carter, The long Good Friday, Trainspotting....Don't get me wrong I like a bit of escapist hokum. The real "Italian Job" , The Adventures of Tom Jones; but oh that it should come to this, there was more realistic drama in Carry On Camping.