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In Tranzit ()


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In 1946, a group of German POWs are mistakenly sent to a Soviet female transit prison camp and must cope with the hostility of the Soviet female inmates and guards, under the orders of cruel camp commander Pavlov.

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Cast

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Natalia
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Max
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Pavlov
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Klaus
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Zina
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Peter
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Yakov
Guy Flanagan ...
Hans
Phillip Azarov ...
Ivan
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Russian Guard 1 (as Sergey Baryshev)
Aleksandr Bolshakov ...
Captain (as Alexander Bolshakov)
Katya Chunkova ...
Nina
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Vera
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Anton
Natalya Fisson ...
Tamara (as Natalia Fisson)
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Liudmilla
Maksim Gudkov ...
Schmidt (as Maxim Gudkov)
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Muller
Maria Mescheryakova ...
Hans' Wife
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Andrei (as Evgeny Mironov)
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Pavlov's Driver
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Elena
Fyodor Selkin ...
Russian Guard 2
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Olga
Rest of cast listed alphabetically:
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Soldier
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Ivan
Beverly Hotsprings ...
Anya (uncredited)
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Female transit camp prisoner (uncredited)

Directed by

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Tom Roberts

Written by

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Natalia Nightingale-Grey ... (writer) (as Natalia Portnova)
 
Simon van der Borgh ... (writer)

Produced by

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Jimmy de Brabant ... producer
Michael Dounaev ... producer
Katie Goodson ... co-producer
Kami Naghdi ... producer
Andrew Warren ... line producer

Music by

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Dan Jones

Cinematography by

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Sergey Astakhov

Editing by

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Paul Carlin

Editorial Department

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Matt Gauci ... assistant editor
Sara Janasz ... post-production coordinator
Conor Mackey ... assistant editor
Kelly Smith ... negative cutter

Casting By

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Gail Stevens

Makeup Department

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Sallie Adams ... chief hair designer / chief makeup designer
Laura Schalker ... hair stylist / makeup artist

Production Management

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Aleksei Zveryov ... production manager

Second Unit Director or Assistant Director

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Ben Burt ... second assistant director

Art Department

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Daniel Alexander Anderson ... stand-by props (as Daniel Anderson)
Andrei Klimenko ... property assistant
Alexei Kozlov ... set dresser
Yevgeny Krasilnikov ... set dresser (as Eugeni Krasilnikov)
Igor Lobankov ... property master

Sound Department

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Mark Appleby ... re-recording mixer
Courtney Bishop ... adr recordist
Max Bygrave ... sound designer
David Cherry ... foley recordist
Jonny Crew ... sound editor
Mark DeSimone ... adr mixer
Thomas Dodgson ... consultant: Dolby film sound
Martyn Harries ... foley artist
Christian Joyce ... production sound mixer
Stanislav Mikheyev ... boom operator
Michael Miller ... adr mixer
Jonathan Rimas ... adr mixer
Andy Thompson ... re-recording mixer
Nadya Yarovaya ... sound assistant
Gary McIntyre ... dialogue editor (uncredited)

Visual Effects by

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Bryan Bartlett ... digital compositor
Astrid Busser-Casas ... compositor
Tim Caplan ... head of production: DI and vfx
Matthew Leach ... technical assistant
Motassem Younes ... digital opticals

Stunts

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Sergey Golovkin ... stunt coordinator
Aleksandr Solovyov ... stunts (as Alexandr Soloviev)

Casting Department

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Vanessa Baker ... voice casting
William Davies ... casting associate
Brendan Donnison ... adr voice casting

Music Department

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Peter Fuchs ... music scoring engineer
Elizabeth Purnell ... orchestrator

Script and Continuity Department

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Kira Sinelshikova ... script supervisor

Additional Crew

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Mikhail Alymov ... technical director
Olga Alymova ... associate producer
Boyd Harvey ... insurance: Media Insurance Brokers
Aranka Matits ... assistant to producer
Anastasiya Mironova ... assistant production coordinator
Dan Palmer ... production accountant
Zinaida Zhdanova ... production coordinator

Production Companies

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Distributors

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Special Effects

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Other Companies

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Storyline

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Plot Summary

In the winter of 1946, in Leningrad, a group of German prisoners of war are sent to a female transit camp by the cruel Russian Commander Pavlov. When they arrive, the Russian female soldiers show the hostility to the enemies that have killed their husbands, families and friends; only Dr. Natalia and the cook treat the prisoners with dignity. Natalia has an agreement with Commander Pavlov to keep her former lover, who was wounded on the head during the war and is slow, in the camp instead of sending him to an institution in Siberia. Pavlov assigns Natalia to disclose members of the SS infiltrated in the group of prisoners. Natalia and the prisoner Max feel a great attraction for each other while the prisoner Klaus tries to convince Max to denounce a couple of prisoners to satisfy the Russian. Natalia convinces the businessman Yakov to organize an orchestra with the prisoners; they are invited to play in a ball, where the lonely women that survived the war dance with the Germans. After the ball, Natalia convinces Officer Elena to let the prisoners spend the night with the women. Natalia has one night stand with Max and while he sneaks back to the quarters, he is attacked by Klaus and saved by Natalia that discovers who Klaus actually is. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Keywords
Taglines From her greatest enemy came her greatest love See more »
Genres
Parents Guide View content advisory »
Certification

Additional Details

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Also Known As
  • Iи Traиzit (United Kingdom, English title)
  • Po etapu (Russia)
  • По этапу (Russia)
  • Iи Traиzit (World-wide, English title)
  • Wir gingen durch die Hölle (Germany)
  • See more »
Runtime
  • 113 min
Country
Language
Color
Aspect Ratio
Sound Mix
Filming Locations

Did You Know?

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Trivia The film was distributed straight to DVD in several countries. See more »
Goofs Some of the female guards wear summer forage caps and others the heavy winter ushanka; the second is the correct type to be wearing with the winter uniform. See more »

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