L'illusionniste
- 2010
- Tous publics
- 1h 20min
NOTE IMDb
7,5/10
37 k
MA NOTE
Un magicien français se retrouve au chômage et part en Écosse où il fait la connaissance d'une jeune femme. L'aventure qui s'ensuit va changer leur vie pour toujours.Un magicien français se retrouve au chômage et part en Écosse où il fait la connaissance d'une jeune femme. L'aventure qui s'ensuit va changer leur vie pour toujours.Un magicien français se retrouve au chômage et part en Écosse où il fait la connaissance d'une jeune femme. L'aventure qui s'ensuit va changer leur vie pour toujours.
- Nommé pour 1 Oscar
- 7 victoires et 35 nominations au total
Eilidh Rankin
- Alice
- (voix)
Jacques Tati
- Monsieur Hulot
- (images d'archives)
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesWhen the Illusionist is performing at the Scottish pub, one of the patrons in the foreground, near the middle of the frame, is the famous "Young Girl and Old Woman" optical illusion.
- GaffesDespite being set in 1959/1960, the Scottish Police motorcycles have 'American-style' sirens, which were not introduced until the 1980s.
- Crédits fousAt the end of the final credits, there's a short bonus scene.
- Bandes originalesMy Girl Blue
Written & Composed by Malcolm Ross
Published by Django Films Ltd
Performed by Malcolm Ross, Iain Stoddart (as Ian Stoddart), and Leo Condie aka - "The Britoons"
Commentaire à la une
Masterpiece
Sylvain Chomet's long-awaited follow-up to The Triplets of Belleville adapts an unfilmed screenplay by French master Jacques Tati. Chomet's film doesn't feel much like a Tati film, though - it's very much a Chomet film. But that's okay. I wouldn't want some poor director to feel he has to ape another filmmaker's style. The Illusionist follows a vaudeville magician, modelled after Tati (and called Tatischeff, which was Tati's real last name). He's old, and his world is starting to fade. He leaves France for an extended tour of Britain. Eventually he finds his way to a remote Scottish island, where he meets up with a young woman, Alice. When Tatischeff leaves the island, the girl coyly follows him, and he pretty much adopts her. The two go to Edinburgh (or a fictionalized, Edinburgh-like city) and Tatischeff gets a regular job at a theater (and another at a gas station, secretly, at night) so he can provide the girl with the beautiful clothes she desires (having existed in squalor on the island, she has never seen dresses as beautiful as she does in the city).
The biggest resemblance that it bears to Tati's films, besides the Tati caricature at its center, is the fleeting, impossible romance between the man and the girl. All four of the M. Hulot films contain this element to one degree or another. In The Illusionist, the relationship falls somewhere between the analogous romances in M. Hulot's Holiday and Mon Oncle. In Mon Oncle, there is a teenage girl who has a crush on M. Hulot, but he knows he's far too old for her and treats her in an avuncular fashion. In M. Hulot's Holiday, he is quite a bit older than the blonde, who is frequently bothered by boys her own age, but at least he has a chance. In The Illusionist, Tatischeff is an old man. He does love the girl. He can keep her, but can never have her. She essentially isn't any different than his rabbit - living its life in a cage. When it's free, it's only going to bite his finger when he gets too close.
The film does not contain much in the way of the grotesque oddities that fueled The Triplets of Belleville. It is much subtler, gentler, and more beautiful. It has a grace all its own. It can be very funny when it wishes. Chomet has obviously spent years on this film, and it looks spectacular. Even if he had made only The Triplets of Belleville, his reputation amongst cinematic animators would be secure, but The Illusionist puts him very near the top of the list of the greatest who ever lived.
The biggest resemblance that it bears to Tati's films, besides the Tati caricature at its center, is the fleeting, impossible romance between the man and the girl. All four of the M. Hulot films contain this element to one degree or another. In The Illusionist, the relationship falls somewhere between the analogous romances in M. Hulot's Holiday and Mon Oncle. In Mon Oncle, there is a teenage girl who has a crush on M. Hulot, but he knows he's far too old for her and treats her in an avuncular fashion. In M. Hulot's Holiday, he is quite a bit older than the blonde, who is frequently bothered by boys her own age, but at least he has a chance. In The Illusionist, Tatischeff is an old man. He does love the girl. He can keep her, but can never have her. She essentially isn't any different than his rabbit - living its life in a cage. When it's free, it's only going to bite his finger when he gets too close.
The film does not contain much in the way of the grotesque oddities that fueled The Triplets of Belleville. It is much subtler, gentler, and more beautiful. It has a grace all its own. It can be very funny when it wishes. Chomet has obviously spent years on this film, and it looks spectacular. Even if he had made only The Triplets of Belleville, his reputation amongst cinematic animators would be secure, but The Illusionist puts him very near the top of the list of the greatest who ever lived.
utile•376
- zetes
- 22 mai 2011
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- How long is The Illusionist?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Illusionist
- Lieux de tournage
- Édimbourg, Écosse, Royaume-Uni(Studio)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 17 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 2 231 474 $US
- Week-end de sortie aux États-Unis et au Canada
- 38 594 $US
- 26 déc. 2010
- Montant brut mondial
- 6 007 194 $US
- Durée1 heure 20 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was L'illusionniste (2010) officially released in India in English?
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