AVALIAÇÃO DA IMDb
4,4/10
31 mil
SUA AVALIAÇÃO
Um misterioso sinal de telefone celular causa um caos apocalíptico, um artista está determinado a se reunir com seu filho.Um misterioso sinal de telefone celular causa um caos apocalíptico, um artista está determinado a se reunir com seu filho.Um misterioso sinal de telefone celular causa um caos apocalíptico, um artista está determinado a se reunir com seu filho.
Jeff Hallman
- Hog Tied Man
- (as Jeffrey Hallman)
Enredo
Você sabia?
- CuriosidadesStephen King announced in 2009 that he had written a screenplay for the movie, and had created a new ending, based on reader complaints about the book's ending.
- Erros de gravaçãoOn Tom McCourt's advice, Clay puts a cellphone in the fridge to cool the battery down to make the charge last longer yet he fails to do the obvious and turn it off. Also the theory of 'making a phone battery last longer by freezing it' is dubious at most, but the characters may not know any better.
- Citações
Tom McCourt: Clay, I'm really sorry about your family.
Clay Riddell: Don't be sorry because there is nothing to be sorry about yet.
- Cenas durante ou pós-créditosAfter the closing credits have finished, the catalyst signal from the movie plays for approximately 5-10 seconds, with no image, as if attempting to convert the audience.
- ConexõesFeatured in FoundFlix: Stephen King's CELL (2016) Ending Explained (2016)
- Trilhas sonorasI am glad, I am very glad, because i'm finally returning back home
aka "Trololo song"
Music by Arkadiy Ostrovskiy
Performed by Eduard Khil
Avaliação em destaque
A bizarre horror/thriller destined for cult status
Over the many year's movies have existed there's been a large number of questions raised by movies with answers non-forthcoming. These are questions that have been at the forefront of many a coffee date discussion, movie club forum or family dinner. Questions like who exactly is/was the "thing" (The Thing), is it a dream or reality (Inception), what was in the briefcase (Pulp Fiction) and now with this long completed and finally just released Stephen King adaptation we can add why exactly was John Cusack's in danger graphic novelist Clay Riddell so keen to pop on his beanie in the midst of a do or die cell phone lead apocalypse?
It's a question we may sadly never have answered and probably the only thing that will stick with you once Tod William's (where has the director who made The Door in the Floor gone?) film reaches its credit sequence, as this adaptation of one of King's least regarded books is one of those films just waiting to join the likes of The Wicker Man remake as a film that's just so bizarre and random it's hard to know who did and why they decided this was a film the public wanted.
In all its random glory however, if I was being totally honest, after all the negative press and jokes being made at its expense, Cell is not nearly as bad as it could've been when watched with the right mindset.
A seriously daft idea that induces a large amount of unintended laughter, Cell has its fair share of "what the" moments and it's a little sad seeing the likes of John Cusack (although he seems to have sold his movie soul some time ago now) and Samuel L. Jackson act through some insanely bizarre situations; I truly can't even begin to explain a scene involving a field of sleeping cell phone zombies, the film actually has some decent scenes and ideas that make this a B grade experience you can sit back and laugh at or with and an experience best watched with a room full of friends all up to witness a film that should never have made it to the cold light of day.
Through the history of movies we've been treated to King adaptation gold, from experiences like The Shawshank Redemption, The Green Mile, The Shining and The Mist, Cell is certainly not one of those and is certainly not a film of cinematic virtue but it's an experience that deserves to be seen as even if you hate every minute of this oddball ride its likely you've never seen anything like it before and if you solve the beanie mystery, please let me know.
2 troll lol lol's out of 5
It's a question we may sadly never have answered and probably the only thing that will stick with you once Tod William's (where has the director who made The Door in the Floor gone?) film reaches its credit sequence, as this adaptation of one of King's least regarded books is one of those films just waiting to join the likes of The Wicker Man remake as a film that's just so bizarre and random it's hard to know who did and why they decided this was a film the public wanted.
In all its random glory however, if I was being totally honest, after all the negative press and jokes being made at its expense, Cell is not nearly as bad as it could've been when watched with the right mindset.
A seriously daft idea that induces a large amount of unintended laughter, Cell has its fair share of "what the" moments and it's a little sad seeing the likes of John Cusack (although he seems to have sold his movie soul some time ago now) and Samuel L. Jackson act through some insanely bizarre situations; I truly can't even begin to explain a scene involving a field of sleeping cell phone zombies, the film actually has some decent scenes and ideas that make this a B grade experience you can sit back and laugh at or with and an experience best watched with a room full of friends all up to witness a film that should never have made it to the cold light of day.
Through the history of movies we've been treated to King adaptation gold, from experiences like The Shawshank Redemption, The Green Mile, The Shining and The Mist, Cell is certainly not one of those and is certainly not a film of cinematic virtue but it's an experience that deserves to be seen as even if you hate every minute of this oddball ride its likely you've never seen anything like it before and if you solve the beanie mystery, please let me know.
2 troll lol lol's out of 5
útil•2619
- eddie_baggins
- 17 de jul. de 2016
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Conexão Mortal
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 1.323.012
- Tempo de duração1 hora 38 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39:1
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