3 friends go rafting in the wilderness. Bags are dropped from a plane followed by a man in parachute. The 3 find the bags with USD8,000,000. The couple wants it and Victor splits, wanting to stay alive, out of prison.
A disgraced black ops agent is dispatched to a remote CIA broadcast station to protect a code operator. Soon, they find themselves in a life-or-death struggle to stop a deadly plot before it's too late.
Earth 2020, 3/4 of it's households have a robot. The AI supercomputer, Kronos, considers humans the biggest threat to Earth. A century later, few humans are left. Calia seeks the last human stronghold as does Kronos.
When a strange signal pulsates through all cell phone networks worldwide, it starts a murderous epidemic of epic proportions when users become bloodthirsty creatures, and a group of people in New England are among the survivors to deal with the ensuing chaos after.Written by
A bizarre horror/thriller destined for cult status
Over the many year's movies have existed there's been a large number of questions raised by movies with answers non-forthcoming. These are questions that have been at the forefront of many a coffee date discussion, movie club forum or family dinner. Questions like who exactly is/was the "thing" (The Thing), is it a dream or reality (Inception), what was in the briefcase (Pulp Fiction) and now with this long completed and finally just released Stephen King adaptation we can add why exactly was John Cusack's in danger graphic novelist Clay Riddell so keen to pop on his beanie in the midst of a do or die cell phone lead apocalypse?
It's a question we may sadly never have answered and probably the only thing that will stick with you once Tod William's (where has the director who made The Door in the Floor gone?) film reaches its credit sequence, as this adaptation of one of King's least regarded books is one of those films just waiting to join the likes of The Wicker Man remake as a film that's just so bizarre and random it's hard to know who did and why they decided this was a film the public wanted.
In all its random glory however, if I was being totally honest, after all the negative press and jokes being made at its expense, Cell is not nearly as bad as it could've been when watched with the right mindset.
A seriously daft idea that induces a large amount of unintended laughter, Cell has its fair share of "what the" moments and it's a little sad seeing the likes of John Cusack (although he seems to have sold his movie soul some time ago now) and Samuel L. Jackson act through some insanely bizarre situations; I truly can't even begin to explain a scene involving a field of sleeping cell phone zombies, the film actually has some decent scenes and ideas that make this a B grade experience you can sit back and laugh at or with and an experience best watched with a room full of friends all up to witness a film that should never have made it to the cold light of day.
Through the history of movies we've been treated to King adaptation gold, from experiences like The Shawshank Redemption, The Green Mile, The Shining and The Mist, Cell is certainly not one of those and is certainly not a film of cinematic virtue but it's an experience that deserves to be seen as even if you hate every minute of this oddball ride its likely you've never seen anything like it before and if you solve the beanie mystery, please let me know.
2 troll lol lol's out of 5
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