Broken English

I was interested in this film due to the mostly positive reviews, a story line that interested me, and having the opportunity to see Parker Posey, who for some reason has an intensely strong cult following, but is unable (or maybe doesn't want) to get to that next level of Hollywood movie stardom.

But then I started reading some pretty negative reviews from some of the people commenting here on IMDb, so it tempered my expectations. And maybe that was a good thing. I really liked this film more than I thought I would. It seemed real, understated, and "soulful," as Zoe Cassavetes likes to say about her film. It actually reminded me a lot of the movie, "'Til There Was You," where we see another seemingly desirable and attractive woman unable to find love, and clueless as to why that is the case.

Parker Posey's pain and anguish in some of her scenes was like watching a raw, exposed nerve. Great script and excellent direction by Zoe Cassavetes. I look forward to seeing what she (Cassavetes) chooses to do next.

This movie was understated and may seem slow to some, but if you are able to understand the subtlety of Parker Posey's facial expressions, will you understand the journey of the movie. The French actor did a remarkable job at being real, interested, while avoid the stereotypical European romantic. His role was solid and his confidence greatly contrasted Parker Posey, whose role was a passage of the female soul during moments of indecision and self-doubt. To me, and to anyone who has had a similar experience, the movie holds great weight. I also was partial to the film's soundtrack, which features a great song by Soundtrack and Scratch Massive. It adds to the movie and to its subtle introspection.

I like Parker Posey, she is obviously a talented actress and (I like to fantasize) chooses a lot of roles in indie films. This movie is obviously something that meant a lot to the writer/director, because it is both detailed and nonlinear. However, I did not find it really interesting. Maybe because I am a guy and I am not American.

The story is about a neurotic New York woman, desperate to find true love, and finally stumbling on it by accident with a French guy. Their romance is not everything that happens in the film, though. You have to spend a lot of time following her failed relationships, both sentimental and at work, her pushy mother, the failing marriage of her best friend and a lot of other stuff. As a "life movie" how my parents called this kind of stories, it makes a good one, but not much of an attractive one. Or maybe I just didn't empathize with anyone in it.

Bottom line: solid direction and acting, but quite a bore of a script. Women might enjoy it more, but judging by the reaction of my wife, it takes a bit more than just gender.

Like father, like daughter. As the daughter of maverick indie filmmaker and actor John Cassavetes and actress Gena Rowlands, first-time director/screenwriter Zoe Cassavetes has a pedigree that inevitably comes with exalted expectations. Interestingly, you can see traces of her father's recognizably low-budget, improvisational-feeling style in this 2007 character study masquerading as a romantic comedy. She's fortunate to have recruited the wonderful Parker Posey to portray Nora Wilder, a confident guest-relations manager at a luxury boutique hotel who is also a neurotic thirty-something concurrently longing for and repelled by the thought of a long-term commitment with a man. What makes this film a bit meatier than an episode of Sex and the City is in the idiosyncratic ways Posey informs her multi-layered performance as she attempts to show a flailing dignity in the face of every possible humiliation she could suffer as a single woman within her married social circle.

The rest of the film does not quite measure up to Posey, as Cassavetes has her going through the paces of dating men particularly bad for her until by happenstance at a co-worker's cocktail party, Nora meets Julien, an affectionate Frenchman who appears quite smitten with her. They naturally embark on a weekend fling that neither wants to end. The rest of the movie plays out in a predictable pattern but with some odd quirks along the way. The result is not a misfire. However, there seems to be a desperate reliance on Posey to bring it all home, which she does handily. Still, there is a charming performance by the charismatic Melvil Poupad as Julien, and he makes Nora's attraction understandable even if the script does not allow him to counterbalance the film.

As married best friend Audrey, Drea de Matteo plays a frustrating character drawn strictly by the numbers, while Justin Theroux manages to exude smarmy conceit as the self-absorbed actor who manipulates Nora. Cassavetes conveniently has her mother play Nora's meddlesome, well-heeled mother with a not-quite-present Peter Bogdanovich as her second husband. The film drags somewhat in the last third, and the ending is both pat and familiar given all that has come before. Still, it's hard to resist Posey excelling in such a fully dimensional role. There are quite a few extras on the 2007 DVD - a fifteen-minute making-of featurette, a thirty-minute episode of HDNet featuring extensive interviews with Cassavetes and Rowlands, and about sixteen minutes of deleted scenes, two of which are comically awkward encounters at the opening cocktail party with an urbane married older man (Griffin Dunne) and a friendly lesbian (Nadia Dajani).

It is a story that could have been very tired and cheesy but the script and acting made this one of the most superbly created film in modern day movie history.

The emotional nuances throughout the film was impeccably delivered by both Posey and Poupaud. Cassavetes achieves the perfect balance of emotion and understatement in the realistic yet hopeful portrayal of a woman's struggle with her own insecurities.

Melvil Poupaud however is the true gem of the film. His portrayal of Julien is masterfully executed and inexplicably touching. This movie is a rare find.