Directed by
| Kevin Connor | ||
Writing Credits (in alphabetical order)
| Andrea Malamut | ||
Cast (in credits order)
Produced by
| Andrew Cohen | ... | associate producer |
| Tony DiDio | ... | producer |
| Andrea Malamut | ... | producer |
| Jay Malamut | ... | executive producer |
Music by
| Jay Asher | ||
| Adam Malamut | ||
Cinematography by
| Barry M. Wilson | ||
Editing by
| Jan Popiden | ||
Casting By
| Mark Sikes | ||
Production Design by
| Rob Howeth | ||
Art Direction by
| Garry Bailey | ||
Set Decoration by
| Bianca Ferro | ||
| Branca Ferro | ||
Costume Design by
| Shawnelle Cherry | ||
Makeup Department
| Jerri Lynn Ayer | ... | key hair stylist (as Jerri Lynn Marlborough) |
| Starr Jones | ... | makeup department head |
Production Management
| Raimond Reynolds | ... | unit production manager |
Second Unit Director or Assistant Director
| Dennis Burrell | ... | second assistant director |
| Kathleen Campbell | ... | dga trainee |
| Maurice 'Moe' Freeman | ... | second assistant director |
| Barbara Lontkowski | ... | second assistant director |
| Jonathan Giles Zimmerman | ... | first assistant director |
Art Department
| Christopher Branan | ... | carpenter |
| Ursula Glaviano | ... | assistant property master |
| Barry Hardsog | ... | propmaker gang boss |
| Mike Horn | ... | on-set dresser |
| Pia Howeth | ... | art department coordinator (as Pia Helm) |
| Shane Passantino | ... | set dresser |
| Eric Schindler | ... | set dresser |
| Erik Schindler | ... | swing |
| Lindsey Sjoberg | ... | set dresser |
| Lauren Slatten | ... | set dresser (as Lauren Day) |
| Fawn Williams | ... | researcher: East Coast |
| Robert Zavala | ... | propmaker foreperson |
Sound Department
| Jon Ailetcher | ... | sound mixer |
| Bastien Benkhelil | ... | sound recordist |
| Gregory Clark | ... | sound mixer (as Greg Clark) |
| David Hadder | ... | boom operator |
| Darrell Hanzalik | ... | supervising adr editor |
| Stanley Kastner | ... | re-recording mixer |
| Donald Lyles | ... | adr mixer / re-recording mixer |
| Vic Radulich | ... | dialogue editor |
| Speed Ratliff | ... | boom operator (as Dwayne Ratliff) |
| Clancy T. Troutman | ... | supervising sound editor |
| Jeremy Vermillion | ... | utility sound |
| Scott Westley | ... | sound designer |
Visual Effects by
| Rachel Clement | ... | digital cleanup artist |
| David Van Woert | ... | visual effects producer |
| Leo Vezzali | ... | visual effects supervisor |
| Albert Vivas | ... | digital intermediate scanner |
| John L. Weckworth | ... | lead compositor / main title animation |
Stunts
| Christopher Doyle | ... | stunt coordinator |
Camera and Electrical Department
| Stephen Breslin | ... | assistant camera: additional photography, Philadelphia |
| Michael Burtoviy | ... | additional photographer: Kiev |
| Chris Cotterman | ... | grip |
| Brandon Cunningham | ... | assistant chief lighting technician |
| Gary Deane | ... | still photographer |
| David Dowell | ... | first assistant camera |
| Oscar Garcia | ... | dolly grip |
| Rafiel Gillen | ... | second assistant camera (as Rafiel Chait) |
| Abe Holtz | ... | additional photographer: Philadelphia |
| Jules Labarthe | ... | camera operator |
| John Loveall | ... | key grip |
| Andrew Parke | ... | first assistant camera: second camera |
| Tony Politis | ... | assistant camera: Tampa |
| Jeremy Quinlan | ... | chief lighting technician |
| Nabil Rahme | ... | second assistant camera |
| Jeff Saldin | ... | assistant camera loader |
| Bud Scott | ... | best boy grip |
| Michael Stecher | ... | camera operator (as Mike Stecher) |
| Nate Wayman | ... | grip |
Casting Department
| Chris Bustard | ... | additional casting / extras casting |
Costume and Wardrobe Department
| Kevin Ian Ackerman | ... | set costumer |
| Stacy Ekstein | ... | set costumer |
| Kristen Evenson | ... | set costumer |
Editorial Department
| Prince Bagdasarian | ... | film and high definition coordinator |
| Sheri Carter | ... | assistant editor |
| Ryan Condercuri | ... | editorial intern / intern assistant editor |
| Julius Friede | ... | digital intermediate colorist |
| Michael Grawert | ... | on-line editor |
| Dennis Little | ... | digital intermediate production coordinator |
| Frank Pass | ... | colorist |
| Jon Pehlke | ... | digital intermediate editor |
| Sarah Priestnall | ... | production supervisor Digital Intermediate |
| Sheri Smith | ... | assistant editor |
Location Management
| Sasha Martynuk | ... | location assistant: Kiev |
| Murray Miller | ... | location manager |
| Dima Oksamytny | ... | location assistant: Kiev |
| Sasha Posvyashenny | ... | location assistant: Kiev |
Script and Continuity Department
| Sue Meserve | ... | script supervisor |
Transportation Department
| Al Burton | ... | driver / transportation captain |
| Alfie Jensen | ... | driver |
| Bonnie Martell | ... | transportation captain |
| Jim Martell | ... | transportation coordinator |
| Gina August | ... | driver (uncredited) |
Additional Crew
| Janine L. Aines | ... | animal trainer |
| Leslie Aurino | ... | production assistant: Philadelphia |
| Roland Carroll | ... | supervisor: additional photography, Kiev |
| Gocha Chertkoev | ... | choreographer |
| Jennifer Frey | ... | stand-in |
| Suzanne Friedline | ... | adr voice |
| Earl Gebel | ... | corporate accountant |
| Lori Goldbach | ... | production accountant |
| Jason Hariton | ... | studio stage manager |
| Darren Highsmith | ... | craft service |
| Sharon Shapiro Lipson | ... | production assistant: Philadelphia |
| Margarita Lorenz | ... | production assistant: Philadelphia |
| April Morley | ... | animal trainer |
| Sam Newman | ... | production secretary |
| Stacy Packer | ... | production coordinator |
| Jerry Pam | ... | publicist |
| Stacy Parker | ... | production office coordinator |
| Stefanie Perez | ... | production medic |
| Karanai Ravenscroft | ... | misc crew |
| Suzanne Santos | ... | production office assistant |
| George S. Shelps | ... | supervisor: additional photography, Philadelphia |
| Arturo Lopez Uscanga | ... | scanning manager |
| Victoria Vopni | ... | animal trainer |
