A chronological look at films by, for, or about (or 'by, for, and about') homosexuals in the United States, from 1947 to 2005, from Kenneth Anger's 'Fireworks' to Ang Lee's 'Brokeback ...
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Victoria Cruz investigates the mysterious 1992 death of black gay rights activist and Stonewall veteran, Marsha P. Johnson. Using archival interviews with Johnson, and new interviews with Johnson's family, friends and fellow activists.
Catherine Shugrue Dos Santos
Max is a trendy, pretty, young lesbian, who is having trouble finding love. A friend sets her up with Ely, whom Max likes, but Ely is frumpy, homely, and older. Nor do they have much in ... See full summary »
T. Wendy McMillan
A poignant romantic drama examines the life of gay 26 year old, ex-monk, school teacher living in Manhattan. When he meets a man at a gay bar, they connect and are soon living together. Unfortunately their views on monogamy don't match.
Daniel, a young man from the provinces come to the city and moves from one gay subculture to the next. His adventures begin on the streets of Berlin, where the shy brunette Daniel meets the... See full summary »
Rosa von Praunheim
A chronological look at films by, for, or about (or 'by, for, and about') homosexuals in the United States, from 1947 to 2005, from Kenneth Anger's 'Fireworks' to Ang Lee's 'Brokeback Mountain'. Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing chronology and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, independent films, sex on screen, outlaw culture and bad guys, female romances, films about A.I.D.S. and dying, emergence of romantic comedy, transsexual films, films about diversity and various cultures, and then main-stream Hollywood drama. What might come next?Written by
<email@example.com> and Brian McInnis
I can't say that I agree with the earlier poster who claims the film doesn't represent gay men's films. Hello, John Waters, Don Roos and any number of other participants. There are far more glaring omissions than a few enjoyable mainstream 1990s indies and "The Boys in the Band." How about the entire history of avant-garde gay cinema, pre-1960s?
Regardless, any survey this broad is obviously going to be shallow. You'd need a miniseries to cover the entire history of queer cinema across all eras, countries of origin and genres.
This being an IFC documentary, it focuses on independent cinema. That makes sense.
For a broader historical perspective, albeit a very Hollywood-focused, U.S.-centric one, check out The Celluloid Closet.
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