"The Field Where I Died," perhaps more than any episode from the fourth season, is one that fans either loved or hated. Loved because it was, as someone aptly put it, a poetic departure from the norm, or hated for its contradicting the mythology and the vocal fanbase of a yet- to-blossom Mulder and Scully relationship.
Many rank this among the lesser of the show's efforts, but this reaction is exaggerated. There is some beautiful writing to be found here from James Wong and Glen Morgan, two of the show's writers who spear-headed the series' character development department more than once with fan favorites like "Beyond the Sea" and "One Breath." This particular episode does not serve the same function per se, but maintains a similar emotional momentum as Mulder confronts his past lives and reencounters the soulmate he lost, Kristin Cloke's Melissa Ephesian, a member of a suicidal religious sect.
One of the strengths of this episode is its memorable acting on the part of Cloke, a talent Morgan and Wong had and would continue to work with on other shows such as Millennium. Though the portrayal of a dissociative identity disorder sufferer is largely exaggerated for spectacle's sake, Cloke is dynamic and charged in her multiple roles. Without a suspenseful plot for support, her acting manages to drive the episode from start to finish.
There is a distinct lack of an "X-Files" feel right from the get-go, calling into question why Mulder and Scully were dispatched to investigate Ephesian's cult in the first place. Other inconsistencies have already been noted, namely the impossibility of the Cigarette-Smoking Man living in WWII as a Nazi soldier, and that Melissa was insinuated to be the soulmate of Mulder rather than Scully, a revelation that blatantly opposes the events that unraveled in later seasons.
"The Field Where I Died" is not a great episode, nor is it an ideal representative of the show's usual motif. It also tends to drag a bit near the end of its second act. This is an episode best recommended to be viewed outside of the series' over-arching continuity, with enough journeyman acting to keep it fresh and some insightful character moments from Mulder and Scully.
7/10