Pilot
- El episodio se transmitió el 11 dic 2009
- TV-MA
- 59min
Agrega una trama en tu idiomaA mobster passes out at a family barbecue and seeks therapy to understand why.A mobster passes out at a family barbecue and seeks therapy to understand why.A mobster passes out at a family barbecue and seeks therapy to understand why.
- Hunter Scangarelo
- (as Michele de Cesare)
Argumento
¿Sabías que…?
- TriviaJames Gandolfini's voice is distinctly different in this first episode than it would be in future ones. After this episode, Gandolfini used a dialect coach to sound more like a mobster from Newark, New Jersey.
- ErroresWhen on the footbridge with Alex, Hesh and Pussy, Alex is wearing a cast over his pant leg. A cast would never be applied over clothing.
- Citas
Tony Soprano: Carmela, something I gotta confess.
Tony Soprano: [sees Carmela moving her wine glass] What are you doin'?
Carmela Soprano: Getting my wine in position to throw in your damn face!
Tony Soprano: You're always with the drama, you.
Carmela Soprano: Go ahead and confess already, please! Get it over with!
Tony Soprano: [covers his face] I'm on Prozac.
Carmela Soprano: Oh - Oh my God.
Tony Soprano: I've been seeing a therapist.
Carmela Soprano: [gasps] Oh my God! I think that's great! I think that's so wonderful! I think that's so gutsy!
Tony Soprano: Alright, take it easy.
Carmela Soprano: I just think that's very, very wonderful!
Tony Soprano: You would think I was Hannibal Lecter before or something.
- ConexionesFeatured in The 51st Annual Primetime Emmy Awards (1999)
This is an excellent start to a great show that sets the scene perfectly and introduces one of the great characters in popular culture.
I think it's one of the best starts to a television series. It not only introduces you to the main characters and themes of the overarching story, but it works as a standalone piece of filmmaking.
Tony Soprano is an ingeniously written character. He is portrayed with many antisocial traits, but you can't help but like and identify with him and his issues. James Gandolfini brings him to life with humour, sadness, intimidation and unbelievable charisma.
The Sopranos frames Tony's existential crisis perfectly through fears that everything around him is changing in a negative way. He is depicted as someone obsessed with the past who is facing the world as it approaches the twenty first century. This pilot wonderfully introduces many concepts associated with this angst that are given further depth as the series goes on. Gary Cooper, the ducks, his dream and various other exchanges of dialogue are all unforgettable examples of how David Chase hooks the audience with the insight and vulnerabilities of a Mafia boss.
We also have strong introductions to other characters such as Livia, Carmela, Uncle Junior, Dr Melfi and Christopher. I never tire of watching the scenes involving Gandolfini, Nancy Marchand and Dominic Chianese.
The production values are generally good but they improve greatly in future episodes. Some song selections and camera angles are a bit random. Also the realism is improved, particularly around how characters behave in front of onlookers. However, there are plenty of iconic images such as the opening and closing shots, the intimidating use of the Passaic River bridge, the scene inside Satriale's and various other location shots around New Jersey.
Some of the editing contains great humour, particularly when we have transitions like from Tony saying "It's a beautiful day. What could be so bad?" to the miserable, cantankerous faces in the next scene.
I first began watching the series back in 1999 and I'm pleased to say the pilot has lost none of its capacity to entertain. It's not a perfect hour of television but it sold a network the idea of The Sopranos and for that alone it is worth its weight in gold.
- snoozejonc
- 1 feb 2022
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Detalles
- Tiempo de ejecución59 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
- 1.78 : 1