This episode is the second of a four-part on-location story arc created with the cooperation of the Air Force and the state of Colorado. At the Academy, filming was done right in the dormitories and administrative buildings. The Air Force viewed this as a sort of TV commercial at a time when the public was very down on the military due to its involvement in the Vietnam War. Actual Air Force Academy students and staff play themselves.
Unlike studio filming, only one camera was used on location, although Lucille Ball insisted on her studio lighting instruments, despite their great weight and bulk.
The scene where Lucy is dragged by a floor polisher through the hallways of one of the buildings is accomplished by Lucille herself without a stunt double. A special dolly is placed under her body to glide her along, and the film was sped up so she appears to be moving much faster than she actually was.
As the parade of cadets passes, the show takes a surreal turn when Lucy, with Craig standing beside her watching the men march by, sees the face of her son in the formation. The camera irises in and focuses on Craig in full military inform.
Locations at the Air Force Academy include the Cadet Chapel, planetarium, Mitchell Hall, Vandenburg Hall, The Terrazzo, and the parade grounds.