Not to mention the Queen of the B's, Beverly Garland.
When Kitty sees Matt get shot for the umpteenth time -- and pretty badly -- she decides to sell the Long Branch and move elsewhere. She just doesn't want to be around the day a bullet with Matt's name on it finds its mark.
She rides off to a town with a tree on its main street (which shows up in any number for series), greeting an old friend (Beverly Garland) who runs a saloon. Not surprisingly, Kitty's jumped out of the emotional frying pan into the criminal fire.
Surprise, surprise, surprise... The town is run by "Papa" Steifer, played by one of the all-time-great character actors, Henry Jones. * Papa prefers to humiliate people into compliance, rather than using force.
Kitty figures she can handle everything herself, and convinces her friend that if the town's businesspeople set up their own trade organization, they can easily force Papa out, without a shot being fired. Then Matt shows up, and wants to do things /his/ way. This provokes a confrontation, because Kitty is tired of being dependent on Matt.
The ending is predictable, but the ending isn't the point of this story. It's the emotional twists and turns that Matt and Kitty go through that makes this a memorable episode. This is one of Kitty's Important Stories (have you forgotten that writing rule, students?), and Ms Blake gets to actually act for a change.
Strongly recommended.
* Henry Jones was a truly gifted actor. Though he seemed to have been typecast in weaselly, ironic/sarcastic roles, he consistently delivered distinctive, appropriate interpretations of such parts. Any performance of his is worth seeing. I particularly commend "The Big Valley" 2.24, "Court Martial".
When Kitty sees Matt get shot for the umpteenth time -- and pretty badly -- she decides to sell the Long Branch and move elsewhere. She just doesn't want to be around the day a bullet with Matt's name on it finds its mark.
She rides off to a town with a tree on its main street (which shows up in any number for series), greeting an old friend (Beverly Garland) who runs a saloon. Not surprisingly, Kitty's jumped out of the emotional frying pan into the criminal fire.
Surprise, surprise, surprise... The town is run by "Papa" Steifer, played by one of the all-time-great character actors, Henry Jones. * Papa prefers to humiliate people into compliance, rather than using force.
Kitty figures she can handle everything herself, and convinces her friend that if the town's businesspeople set up their own trade organization, they can easily force Papa out, without a shot being fired. Then Matt shows up, and wants to do things /his/ way. This provokes a confrontation, because Kitty is tired of being dependent on Matt.
The ending is predictable, but the ending isn't the point of this story. It's the emotional twists and turns that Matt and Kitty go through that makes this a memorable episode. This is one of Kitty's Important Stories (have you forgotten that writing rule, students?), and Ms Blake gets to actually act for a change.
Strongly recommended.
* Henry Jones was a truly gifted actor. Though he seemed to have been typecast in weaselly, ironic/sarcastic roles, he consistently delivered distinctive, appropriate interpretations of such parts. Any performance of his is worth seeing. I particularly commend "The Big Valley" 2.24, "Court Martial".