When Penelope Dufour meets Richard Kimble in the hotel bar to ask him to teach her some things, her hands move between shots. Sometimes she rests her arms on the bar, then all of a sudden they rest in her lap.
When Kimble and Eddie Slade exit the hotel elevator together at the garage, it's clear that the concrete floor runs continuously from inside the elevator to the garage, with no separation between the two.
Penelope Dufour makes a portrait drawing of Richard Kimble. When see shows it to Kimble the portrait is facing left. However seen from her perspective Kimble's face should be facing right.
When Penelope Dufour addresses those wanting in on the hustle, in the first shot she doesn't have her earrings on and the mole is missing from her cheek. In the next shot, her earrings have suddenly appeared, but the mole is still missing from her cheek.
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