Sam's Women
- Episódio foi ao ar 7 de out. de 1982
- TV-PG
- 30 min
AVALIAÇÃO DA IMDb
7,6/10
1,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaSam is worried that Diane thinks he only dates dumb women, so he tries to impress her with his latest one.Sam is worried that Diane thinks he only dates dumb women, so he tries to impress her with his latest one.Sam is worried that Diane thinks he only dates dumb women, so he tries to impress her with his latest one.
Keenen Ivory Wayans
- Customer #1
- (as Keenen Wayans)
Ebon Alabastur
- Bar Patron
- (não creditado)
Dennis C. Alpert
- Bar Patron
- (não creditado)
Herbert Benkman
- Bar Patron
- (não creditado)
Ronn Cragg
- Bar Patron
- (não creditado)
John Demy
- Bar Patron
- (não creditado)
Ken DuMain
- Bar Patron
- (não creditado)
Joyce Goldman
- Bar Patron
- (não creditado)
Enredo
Você sabia?
- CuriosidadesIn a very early role, Keenen Ivory Wayans can be seen sitting at the table in the opening sequence as Diane delivers drinks to the wrong group.
- Erros de gravação(at around 2 mins) A former Cheers customer named Leo comes in looking for Gus, a former owner of Cheers. Coach tells Leo he "will makes a few calls", and later informs him that Gus is dead. However, in #11.18 The Last Picture Show (1993), Gus returns to Cheers and works behind the bar for an evening. Though this would appear to be a continuity issue, it is easily explainable as Coach's source simply could have been wrong about Gus, or Coach himself could be wrong (as Coach often is wont to be).
- Citações
Norm Peterson: How's the kids?
Carla Tortelli: Two of 'em are ugly, one's obnoxious, and one's just stupid. He's my favorite.
- ConexõesReferenced in Late Night with David Letterman: Episode dated 21 November 1990 (1990)
- Trilhas sonorasWhere Everybody Knows Your Name
Written by Judy Hart-Angelo and Gary Portnoy
Performed by Gary Portnoy
Avaliação em destaque
The Romance Begins In Earnest
Cheers did not invent the "Will They Or Won't They" plot (Diane herself would point out it's as old as Shakespeare, if not Greek drama), but the series has become synonymous with the trope, during both the Diane and Rebecca years. The Hepburn & Tracy battle of the wits was present in the pilot, but it's in this episode that things truly get started.
The fairly simple plot revolves around Sam trying to prove Diane wrong when she claims he only dates bimbos. The gorgeous Brandee ("with two Es") doesn't seem like a promising example, and while Debra (the ex Mrs Malone) seems a tad more sophisticated, Diane remains unimpressed.
This episode has many of the scenes that show up in retrospectives as examples of the crackling romantic dialogue between Sam and Diane, and both Long and Danson are in fine form. They already know their characters by heart: Diane, amused and outright smug about her superior intelligence; Sam, equally smug about his ability to read Diane like a book. The final scene, in which Danson delivers the perfect punchline, is topped off by a great bit of physical business by Diane (watch the drinks on the tray she's carrying).
The short subplot plays off the hoary cliche of someone seeking out a bartender for advice, but Nicholas Colasanto makes a great bit out of it. Coach's reaction to hearing about "Rick And Ron" seems more out of confusion than homophobia (in later episodes he seems to be pretty accepting). Ironically, his advice gets Leo to realize his mistake and accept his son. Is Coach a bumbling fool or a secret Zen master? In the end what does it matter?
The fairly simple plot revolves around Sam trying to prove Diane wrong when she claims he only dates bimbos. The gorgeous Brandee ("with two Es") doesn't seem like a promising example, and while Debra (the ex Mrs Malone) seems a tad more sophisticated, Diane remains unimpressed.
This episode has many of the scenes that show up in retrospectives as examples of the crackling romantic dialogue between Sam and Diane, and both Long and Danson are in fine form. They already know their characters by heart: Diane, amused and outright smug about her superior intelligence; Sam, equally smug about his ability to read Diane like a book. The final scene, in which Danson delivers the perfect punchline, is topped off by a great bit of physical business by Diane (watch the drinks on the tray she's carrying).
The short subplot plays off the hoary cliche of someone seeking out a bartender for advice, but Nicholas Colasanto makes a great bit out of it. Coach's reaction to hearing about "Rick And Ron" seems more out of confusion than homophobia (in later episodes he seems to be pretty accepting). Ironically, his advice gets Leo to realize his mistake and accept his son. Is Coach a bumbling fool or a secret Zen master? In the end what does it matter?
útil•00
- dgplatt-60121
- 8 de jan. de 2024
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