Sam's Women
- एपिसोड aired 7 अक्तू॰ 1982
- TV-PG
- 30 मि
IMDb रेटिंग
7.6/10
1.2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंSam is worried that Diane thinks he only dates dumb women, so he tries to impress her with his latest one.Sam is worried that Diane thinks he only dates dumb women, so he tries to impress her with his latest one.Sam is worried that Diane thinks he only dates dumb women, so he tries to impress her with his latest one.
Keenen Ivory Wayans
- Customer #1
- (as Keenen Wayans)
Ebon Alabastur
- Bar Patron
- (बिना क्रेडिट के)
Dennis C. Alpert
- Bar Patron
- (बिना क्रेडिट के)
Herbert Benkman
- Bar Patron
- (बिना क्रेडिट के)
Ronn Cragg
- Bar Patron
- (बिना क्रेडिट के)
John Demy
- Bar Patron
- (बिना क्रेडिट के)
Ken DuMain
- Bar Patron
- (बिना क्रेडिट के)
Joyce Goldman
- Bar Patron
- (बिना क्रेडिट के)
कहानी
क्या आपको पता है
- ट्रिवियाIn a very early role, Keenen Ivory Wayans can be seen sitting at the table in the opening sequence as Diane delivers drinks to the wrong group.
- गूफ़(at around 2 mins) A former Cheers customer named Leo comes in looking for Gus, a former owner of Cheers. Coach tells Leo he "will makes a few calls", and later informs him that Gus is dead. However, in #11.18 The Last Picture Show (1993), Gus returns to Cheers and works behind the bar for an evening. Though this would appear to be a continuity issue, it is easily explainable as Coach's source simply could have been wrong about Gus, or Coach himself could be wrong (as Coach often is wont to be).
- भाव
Norm Peterson: How's the kids?
Carla Tortelli: Two of 'em are ugly, one's obnoxious, and one's just stupid. He's my favorite.
- कनेक्शनReferenced in Late Night with David Letterman: 21 नवम्बर 1990 को प्रसारित एपिसोड (1990)
- साउंडट्रैकWhere Everybody Knows Your Name
Written by Judy Hart-Angelo and Gary Portnoy
Performed by Gary Portnoy
फीचर्ड रिव्यू
The Romance Begins In Earnest
Cheers did not invent the "Will They Or Won't They" plot (Diane herself would point out it's as old as Shakespeare, if not Greek drama), but the series has become synonymous with the trope, during both the Diane and Rebecca years. The Hepburn & Tracy battle of the wits was present in the pilot, but it's in this episode that things truly get started.
The fairly simple plot revolves around Sam trying to prove Diane wrong when she claims he only dates bimbos. The gorgeous Brandee ("with two Es") doesn't seem like a promising example, and while Debra (the ex Mrs Malone) seems a tad more sophisticated, Diane remains unimpressed.
This episode has many of the scenes that show up in retrospectives as examples of the crackling romantic dialogue between Sam and Diane, and both Long and Danson are in fine form. They already know their characters by heart: Diane, amused and outright smug about her superior intelligence; Sam, equally smug about his ability to read Diane like a book. The final scene, in which Danson delivers the perfect punchline, is topped off by a great bit of physical business by Diane (watch the drinks on the tray she's carrying).
The short subplot plays off the hoary cliche of someone seeking out a bartender for advice, but Nicholas Colasanto makes a great bit out of it. Coach's reaction to hearing about "Rick And Ron" seems more out of confusion than homophobia (in later episodes he seems to be pretty accepting). Ironically, his advice gets Leo to realize his mistake and accept his son. Is Coach a bumbling fool or a secret Zen master? In the end what does it matter?
The fairly simple plot revolves around Sam trying to prove Diane wrong when she claims he only dates bimbos. The gorgeous Brandee ("with two Es") doesn't seem like a promising example, and while Debra (the ex Mrs Malone) seems a tad more sophisticated, Diane remains unimpressed.
This episode has many of the scenes that show up in retrospectives as examples of the crackling romantic dialogue between Sam and Diane, and both Long and Danson are in fine form. They already know their characters by heart: Diane, amused and outright smug about her superior intelligence; Sam, equally smug about his ability to read Diane like a book. The final scene, in which Danson delivers the perfect punchline, is topped off by a great bit of physical business by Diane (watch the drinks on the tray she's carrying).
The short subplot plays off the hoary cliche of someone seeking out a bartender for advice, but Nicholas Colasanto makes a great bit out of it. Coach's reaction to hearing about "Rick And Ron" seems more out of confusion than homophobia (in later episodes he seems to be pretty accepting). Ironically, his advice gets Leo to realize his mistake and accept his son. Is Coach a bumbling fool or a secret Zen master? In the end what does it matter?
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- 8 जन॰ 2024
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