The Wooing of Abigail Jones
- El episodio se emitió el 4 mar 1962
- TV-PG
- 1h
PUNTUACIÓN EN IMDb
7,1/10
144
TU PUNTUACIÓN
Añade un argumento en tu idiomaThe Cartwright boys help cowhand Hank romance reluctant teacher Abigail.The Cartwright boys help cowhand Hank romance reluctant teacher Abigail.The Cartwright boys help cowhand Hank romance reluctant teacher Abigail.
Robert Stevenson
- Charlie the Proprietor
- (as Robert J. Stevenson)
John Breen
- Barfly
- (sin acreditar)
Bill Clark
- Barfly
- (sin acreditar)
Betty Endicott
- Saloon Girl
- (sin acreditar)
Michael Jeffers
- Barfly
- (sin acreditar)
Bob LaWandt
- Barfly
- (sin acreditar)
Martha Manor
- Saloon Girl
- (sin acreditar)
Bob Miles
- Ranch Hand
- (sin acreditar)
Sally Yarnell
- Saloon Girl
- (sin acreditar)
- Dirección
- Guión
- Norman Lessing
- David Dortort(sin acreditar)
- Fred Hamilton(sin acreditar)
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que...?
- CuriosidadesThe opening scene shows Hoss & Little Joe riding across the range with Joe wearing his trademark olive green jacket. The next scene is their arrival at the Ponderosa and Joe is not wearing the jacket. There is no sign of the jacket lashed to either side of his saddle when he enters the coral turning around showing both sides of the horse.
Reseña destacada
Early One Morning
This episode of Bonanza marks the last appearance before cameras for the big or small screen of one of the greatest of pop singers in the last century. Vaughn Monroe is taught how to sing by none other than Pernell Roberts in The Wooing Of Abigail Jones.
When Monroe was at the height of his career one of his nicknames was 'the voice with hair on its chest'. That deep bass/baritone is unmistakable if you have the privilege of hearing him sing on film or on record. Monroe is a cowhand who's setting about wooing Eileen Ryan who is in the title role. Problem is that she has eyes for Adam Cartwight after hearing him sing.
No problem for Pernell Roberts who really isn't interested, in fact when Michael Landon and Dan Blocker urge him, Roberts is more than willing to give Monroe some singing lessons. It seems as though Vaughn is singing through his nose and those deep notes that his fans remember coming right out of the diaphragm just aren't there.
This episode also gave Pernell Roberts a chance to sing which he did not do too often on the big and small screen. He had a pretty good singing voice and I remember after he left Bonanza he was in a touring company of Camelot. Both he and Monroe do a version of an old English folk song entitled Early One Morning. They're both pretty good.
For a chance to see and hear Vaughn Monroe, this Bonanza episode is a must.
When Monroe was at the height of his career one of his nicknames was 'the voice with hair on its chest'. That deep bass/baritone is unmistakable if you have the privilege of hearing him sing on film or on record. Monroe is a cowhand who's setting about wooing Eileen Ryan who is in the title role. Problem is that she has eyes for Adam Cartwight after hearing him sing.
No problem for Pernell Roberts who really isn't interested, in fact when Michael Landon and Dan Blocker urge him, Roberts is more than willing to give Monroe some singing lessons. It seems as though Vaughn is singing through his nose and those deep notes that his fans remember coming right out of the diaphragm just aren't there.
This episode also gave Pernell Roberts a chance to sing which he did not do too often on the big and small screen. He had a pretty good singing voice and I remember after he left Bonanza he was in a touring company of Camelot. Both he and Monroe do a version of an old English folk song entitled Early One Morning. They're both pretty good.
For a chance to see and hear Vaughn Monroe, this Bonanza episode is a must.
útil•141
- bkoganbing
- 31 dic 2010
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