Directed by
| George Spenton-Foster | ||
Writing Credits
| Robert Holmes | ... | (written by) |
| Terry Nation | ... | (creator) |
Cast (in credits order)
Produced by
| David Maloney | ... | producer |
Music by
| Elizabeth Parker | ... | (uncredited) |
Editing by
| Sheila S. Tomlinson | ||
Production Design by
| Ken Ledsham | ||
Costume Design by
| Barbara Kidd | ||
Makeup Department
| Ann Ailes-Stevenson | ... | makeup artist (as Ann Ailes) |
Production Management
| Sheelagh Rees | ... | unit production manager |
Sound Department
| John Gatland | ... | film sound recordist |
| Clive Gifford | ... | sound: studio |
| Elizabeth Parker | ... | special sound |
| Gordon Phillipson | ... | grams operator (uncredited) |
Special Effects by
| Ron Thornton | ... | special effects |
Visual Effects by
| Mat Irvine | ... | visual effects designer |
| Andy Lazell | ... | visual effects designer |
| Mitch Mitchell | ... | electronic effects (as A.J. Mitchell) |
| Peter Pegrum | ... | visual effects designer |
| Graham Brown | ... | visual effects assistant (uncredited) |
Camera and Electrical Department
| Brian Clemett | ... | studio lighting |
| Max Samett | ... | film cameraman |
| Dave White | ... | senior cameraman (uncredited) |
Editorial Department
| Shirley Coward | ... | vision mixer (uncredited) |
Music Department
| Dudley Simpson | ... | composer: title music |
Script and Continuity Department
| Chris Boucher | ... | script editor |
Additional Crew
| Michael Brayshaw | ... | production assistant |
| Jean Davis | ... | directors assistant (uncredited) |
| Peter Grainger | ... | technical manager (uncredited) |
