Directed by
| Ian Thompson | ||
Writing Credits (in alphabetical order)
| Ian Thompson | ||
Cast (in credits order)
| Cara Pifko | ... | Sadie | |
| Shannon Lawson | ... | Anne | |
| Dan Willmott | ... | Officer Halwell | |
| Chad Camilleri | ... | Thief | |
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Joe Sacco | ... | Officer Servant |
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Barrington Bignall | ... | Young Artist |
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Malcolm Black | ... | Owner |
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Joan Massiah | ... | Mrs. Cohen |
| Malcolm Black | ... | Owner | |
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Jim Rolfe | ... | Shopper |
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Adolfo White | ... | Coffee Shop Owner |
| Rest of cast listed alphabetically: | |||
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Raymond Leroy Baptiste | ... | Coffee Shop Customer |
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Dean Pollock | ... | Customer |
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Rachel Rooke | ... | Coffee Shop Customer |
| Ian Thompson | |||
Produced by
| Robert Budreau | ... | producer |
| Ian Thompson | ... | producer |
Music by
| Orest Hrynewich | ||
| Stephen Skratt | ||
Cinematography by
| John Lesavage | ||
Editing by
| Jason Gatt | ||
Casting By
| Millie Tom | ||
Production Design by
| Julia Fong | ||
Costume Design by
| Kelsey Hart | ||
Makeup Department
| Luana Camplone | ... | key makeup artist |
| Rachel Hing | ... | assistant makeup artist |
Production Management
| Mike Masters | ... | production manager |
| Chris Trebilcock | ... | assistant production manager |
Second Unit Director or Assistant Director
| Ryan Hyland | ... | first assistant director |
| Dean Pollock | ... | third assistant director |
| Chris Trebilcock | ... | second assistant director |
Art Department
| Alexis Chubb | ... | set dresser |
| Phil Douglas | ... | set dresser |
| Clair Muir | ... | set dresser |
| Marc Ngui | ... | storyboard artist |
| Farrah Yip | ... | set dresser |
Sound Department
| Stacy Coutts | ... | sound production assistant |
| John Laing | ... | sound / supervising sound editor |
| John Loranger | ... | sound editor |
| Tim O'Connell | ... | foley artist |
| Peter Steele-Mosey | ... | boom operator |
| Hartley Wynberg | ... | sound recordist |
Special Effects by
| Dan Allen | ... | special effects first assistant |
| Jon Davis | ... | special effects key |
| Derek Liscoumb | ... | special effects coordinator |
Visual Effects by
| Rob Gyorgy | ... | visual effects |
Stunts
| Chad Camilleri | ... | stunt coordinator / stunts |
Camera and Electrical Department
| Bart Bialasik | ... | camera trainee |
| Orysia Boytchuk | ... | still photographer |
| Wendell Collier | ... | key dolly grip |
| Margaret Demchenko | ... | second assistant camera |
| Sven Frenzel | ... | still photographer (as Sven Frenztl) |
| Brent Greenham | ... | grip |
| Sam Hall | ... | best boy grip |
| Dermot Hamilton | ... | gaffer |
| Jean-Marc Hébert | ... | electrician |
| Tony Lam | ... | electrician |
| Wesley MacMillan | ... | best boy |
| Sean McBride | ... | grip |
| Joseph Pauls | ... | best boy electric |
| Denise Taylor | ... | first assistant camera |
| Glen Thomas | ... | crane operator |
Editorial Department
| Jim Fleming | ... | colorist |
| Pietro Gallo | ... | on-line editor |
| Rob Gyorgy | ... | digital intermediate editor |
| Heidi Sotiriou | ... | post-production coordinator (as Heidi Holm) |
Location Management
| Willa Law | ... | assistant location manager |
| Salvatore Orbita | ... | location manager |
Music Department
| Marina Hashemi | ... | music engineer (as Marina Kobzariuk) |
Script and Continuity Department
| Margaret Tanod | ... | script supervisor |
Transportation Department
| Ken Thompson | ... | transportation captain |
Additional Crew
| Kathleen Cummins | ... | story editor |
| Bill Duke | ... | production assistant |
| Olivia Gottlieb | ... | production coordinator |
| Winston Hacking | ... | production assistant |
| Karen Hanson | ... | story editor |
| Chad Hawn | ... | production assistant |
| Brett Long | ... | production assistant |
| Raul Moral | ... | production assistant |
| Mark Nichols | ... | production assistant |
| Ric Santon | ... | story editor |
| Mark Stevenson | ... | production assistant |
| Adolfo White | ... | production assistant |
Thanks
| Mike 'Fuzzy' Ellis | ... | special thanks |
| Fred Fuchs | ... | special thanks |
| Michael Levine | ... | special thanks |