Fed up with being censored in their post-Trailer Park Boys lives, the out of work stars/world-renowned 'swearists', Mike Smith, Robb Wells and John Paul Tremblay decide to start their own uncensored network on the internet.
A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century".
Jean François Heckel,
This documentary takes a look on all sides of the infamous F-word. It's taboo,obscene and controversial, yet somehow seems to permeate every single aspect of our culture - from Hollywood, to the schoolyard to the Senate floor in Washington D.C. It's the word at the very center of the debate on Free Speech - and everyone seems to have an opinion. FUCK exams how the word is impacting our world today through interviews, film and television clips, music, and original animation by Bill Plympton. Scholars and linguists examine the long history of fuck. Comedians, actors, and writers who have charted and popularized the upward course of fuck are heard from, often while defending the Constitutional Right of Free Speech, all the way to the Supreme Court. FUCK visits with those who actually fuck for a living. We hear from advocates who oppose fuck and its infringement into our everyday lives. We watch some of the most famous and infamous film and television clips that feature fuck, we hear some...Written by
A Very Special Double Fuck You To ... Cancer A Very Special Fuck You To ... Steven N. Kurtz A Special Fuck You To ... Carlo Cavagna George Parker Steve Bickel M. Muzatko C. Martin Shawn Levy Sean Mantooth Dr. Manwaring Dr. Wong Brett Doyle Terry Fisher Brian Moss Tony Sodano Chris Sorenson Dan Dye Adam Sampson Bob "Pork-it" Loftstrom See more »
not quite long enough to really dig into it all, but as a term-paper-type look, it's not bad, and even funny
How do I talk about a film where I can't even mention its title in this review (in the IMDb comments the word of the title of this film cannot be put in, unless in the form of f*ck or sh*t)? I can talk mostly then about how the filmmakers go around the use of the word f*ck. F*ck is the word that gets everyone's ear up, and depending on the context or meaning behind it can get some people riled up enough to do something about it- like reporting to the FCC on violations if done on TV or radio. The hypocrisies and oddities are of course on display, like with the now legendary George Carlin 'Dirty Words' case where the one and only person to report that the segment played on the radio was wrong was on the Decency board in the 70s. Or, of course, Lenny Bruce, who also had a fight that he ended up losing miserably, however much he paved the way for everyone else in his field. There's also a good segment done on the f word in politics and religion, even in poetry (I'll have to look through Ulysses now to see where it's at).
But even with the laughs that are obvious to come with such a given for scandalous material, including various movie clips featuring said word (Pulp Fiction, Punch-Drunk Love, South Park, Scarface), and even with the Presidential utterances and sound-bytes of the word (Nixon's the most obvious yet still unnerving), and even with some of the interviewees really giving some food for f***ing thought on the subject (Billy Connolly is arguably the funniest, with HST being low-key and observant, and Allen Keyes and Pat Boone delivering very straight-laced answers) with the two-side arguments, there doesn't seem quite enough here to be totally satisfying. In fact, the structure, however hokey and joyful in its wicked little ways, has to start delivering on more interesting grounds. Maybe it's just me, but by around the 100th time one's heard the word in such a span of several minutes, the word has already lost all of its power (albeit given context by a scene of coitus on a music stage, a very controversial story at the time, among others), and there should be even more dirt available, aside from the usual historical asides. For example, I would've liked to have seen more on the F-word in music (where's the MC5 when you need em?), or the section of children, which should be a topic that could at least cover a lot more of the film, especially since the filmmakers obviously want to leave it as something of a climax...so to speak.
Yet, if you want a successfully shallow, goofy take on the subject that might raise some eyebrows and just be another night watching a DVD for others (who knows if the record setting 800 times is just another night at the bar for some guys), it's worth the rental. I'm glad the filmmakers took the equal-time interviews for those who are in it all-not that it occasionally preaches to the choir- and that the bases covered are given enough coverage to get a full understanding of how such an infamous word can become even more so in the 21st century, under a government that has raised the ante on the conservative agenda within the free speech guidelines, and that the censorship ends up spreading to other areas as well. Bleep, I say.
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