Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Francis Ford Coppola
A writer with a declining career arrives in a small town as part of his book tour and gets caught up in a murder mystery involving a young girl. That night in a dream, he is approached by a... See full summary »
Distant Vision is a Live Cinema production that was broadcast to a limited audience from UCLA on July 22, 2016. Writer/Director Francis Ford Coppola led the month-long student workshop as a... See full summary »
Francis Ford Coppola
Ethan Louis Samuels DiSalvio
Hank and Frannie don't seem to be able to live together anymore. After a five-year relationship, lustful and dreamy Fanny leaves down-to-earth Hank on the anniversary of their relationship.... See full summary »
A Sergeant must deal with his desires to save the lives of young soldiers being sent to Viet Nam. Continuously denied the chance to teach the soldiers about his experiences, he settles for trying to help the son of an old Army buddy.
Francis Ford Coppola
James Earl Jones
Christmas Eve, 1937, Piatra Neamt, Romania: Dominic Matei, a 70-year-old professor, contemplates suicide. The love of his life is dead, and he remains unable to complete his life's work on the origins of language. On April 24th 1938, Easter Sunday, he takes a train to Bucharest to kill himself, but suddenly he's struck by lightning. After a slow recovery, he miraculously grows younger and gains superhuman powers. WWII breaks out and Romania's fascist dictator Ion Antonescu cooperates with Adolf Hitler. Matei must escape to Switzerland, because Nazi scientists want to use his powers...Some years later, he meets a woman who has her own passage through a lightning storm. Not only does Dominic find love again, but her new abilities hold the key to his research...Coppola's adaptation of Mircea Eliade's surreal novella is a mysterious, romantic, melancholic and humorous journey to the outer limits of space, time and identity. Dreams become reality and reality feels like a dream...Written by
The film was edited using Final Cut Pro on Apple Mac computers. See more »
The panoramic x ray shown when the teeth of the main character start to change is obviously from a 12 years old person as are clearly visible temporal molars (that are not present in adults) and their adult successors. See more »
Sometimes... I admit to myself that it's possible... I will never be able to finish my life's work. My one and only book. And that in the end... without her... I will be nothing. And I will die alone.
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Yo Sin Ti (Me without You)
Composers: Osvaldo Golijov, Arturo Castro
Artists: Bucharest Metropolitan Orchestra, Radu Popa
Kalman Balogh, Cimbalom
Kayhan Kalhor, Kamancheh
Michael Ward-Bergemann, Accordion See more »
I saw mention of "Altered States" in the comments section, but I think a more apt parallel might be "The Fountain" by Aronofsky. In that film, an intellectual pursuit is pitted in juxtaposition to the more human pursuit of love. In "The Fountain" science is the pursuit and it is employed towards the end of salvaging a relationship, whereas with Coppola the pursuit is philosophy and its pursuit decidedly comes first symbolically and then physically at the unraveling of love.
So, yes this is a cerebral film. One that is driven often by dialog, including dialog conducted between a man and his double...and also in a language of the protagonists own creation. And yet the message here, while convoluted never came across as mere gibberish to me.
Instead, I hear the echoes of an old man, Coppola, who perhaps has seen his own life, and maybe lives of those around him, consumed by his own calling. And with the double, what film maker cannot feel the presence of a vying reality. Here we have mirrors, like Coppola's "Rumble Fish" shadows, that do not match the reality they should reflect.
I felt like the lightning strike could be seen as a character's epiphany that he is indeed a character in a story. More fifth dimension than fourth wall. But nonetheless fascinating. A superhero of sorts is born, but not exactly a Marvel.
Back to Aronofky's "Fountain" that film for me got bogged down in the trompe du CG-eye, whereas in "Youth Without Youth" whoever did the scenery scouting should be applauded. I felt more grounded in the real, yet often captivating, world filmed. (Was Malta, Malta or just another aspect of Romania?) Too bad I didn't feel the same way about casting, although others here have lauded Roth and Ganz, they were weaker links for me in their particular roles. Clearly Roth's role/s was/were demanding, for me he has the nervous energy of someone looking over his shoulder, more than a man lost in an inward gaze. A better maniac than a monomaniac. And Ganz, it felt like all of his lines were re-dubbed, to the point of a CGI-level distraction.
Nonetheless, a film with tricky mirrors provides some interesting reflection. Ultimately the film neither flaunts love as the salvation, nor rigorous study as providing an ultimate reward. For me the message was not even mystical, but simply that nature will claim every man.
Sure as the snow...
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