Dying of kidney disease, a man spends his last, somber days with family, including the ghost of his wife and a forest spirit who used to be his son, on a rural northern Thailand farm.
Shifting between fact and fiction in a hotel situated along the Mekong River, a film-maker rehearses a movie expressing the bonds between a vampiric mother and daughter.
After hitting something with her car, a bourgeois Argentine woman's life slowly descends into paranoia and isolation, as she fears she may have killed someone.
A restless retired woman teams up with her deceased neighbor's maid to seek out a man who has a secret connection to her past life as a farm owner at the foothill of Mount Tabu in Africa.
Director:
Miguel Gomes
Stars:
Telmo Churro,
Miguel Gomes,
Hortêncílio Aquina
There is a story to be found here somewhere, but it is cleverly hidden among a grab bag of images. Ostensibly it is about the director's parents who were both doctors. But they are on screen for about 10% of the movie.
Director Weerasethakul uses skillful framing and subtle color to create some remarkable images. There are some very sensual scenes of natural settings. The majority of scenes seem to be thrown in due to random firings in the director's brain. There are long slow takes circling statues that come from nowhere and go nowhere and lots of prolonged shots of people staring into space. There is one scene capturing a perfectly ordinary dental procedure that goes on for several minutes and another scene of great length of an exhaust vent sucking smoke out of a room. This latter is somewhat transfixing, but I can't see why it's there.
The movie creates a mood, but I often found that mood to be one of annoyance. If anyone can explain the meaning of the English title ("Syndromes and a Century") please let me know.
This one is definitely for the art house crowd.
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There is a story to be found here somewhere, but it is cleverly hidden among a grab bag of images. Ostensibly it is about the director's parents who were both doctors. But they are on screen for about 10% of the movie.
Director Weerasethakul uses skillful framing and subtle color to create some remarkable images. There are some very sensual scenes of natural settings. The majority of scenes seem to be thrown in due to random firings in the director's brain. There are long slow takes circling statues that come from nowhere and go nowhere and lots of prolonged shots of people staring into space. There is one scene capturing a perfectly ordinary dental procedure that goes on for several minutes and another scene of great length of an exhaust vent sucking smoke out of a room. This latter is somewhat transfixing, but I can't see why it's there.
The movie creates a mood, but I often found that mood to be one of annoyance. If anyone can explain the meaning of the English title ("Syndromes and a Century") please let me know.
This one is definitely for the art house crowd.