The story is about the daughter of a murderer and the daughter of the murdered house coping with this horrible past. I thought this story was great because it kept me guessing. The movie might be slow but I didn't fall asleep. There isn't much cliché in the story which is good. The title Shinku, which means Crimson, has a deep meaning, I suppose. The color in the movie was carefully picked out. I suppose it's got some sort of hidden message. The ending was uncalled for. I was totally unprepared for that scene and I thought it was the a brilliant finale. I recommend this movie and I give it an 7 out of 10. I like it when people are working hard and make the plots as flawless as possible. I can't say the actresses are the best in the world, but that part made it seem even more sincere. Horray!
3 Reviews
Another Great Genre-Bending Dramatic Thriller From Japan That No One Will Ever Talk About
ebossert31 July 2009
The teenage daughter of a convicted murderer befriends the only surviving teenage daughter of the murdered family in this coming-of-age story. The persecution inflicted upon the child of a criminal is coupled with the psychological suffering associated with having ones parents and siblings brutally killed. Consequently, there's an odd attraction and friction between the leads that forms the entire foundation of the storyline. The overall quality of this film is impressive, with excellent acting, a well-written script, and a slow-burning pace that helps to fully develop not only the characters, but the complex motivations behind the murder itself.
This is one hell of a film people. One huge positive of Asian cinema is that the filmmakers are patient enough to slowly develop the characters and circumstances. The viewer spends time with each character and shares their experiences without much need for verbal clarification. For example, the opening half hour is very well-crafted as the protagonist is having fun with her friends on a field trip, but is vaguely informed by her teacher of a family "accident." The uncertainty, fear, and paranoia of this experience is expertly constructed during the lengthy car ride. At one point she passes a car accident, which throws both herself and the viewer into mutual insecurity – "Was her family in that car collision? Are they okay?" This sequence really is gripping in its simplicity and execution, and I seriously doubt that there are many Hollywood directors who are even capable of duplicating this sense of realism. They'd surely get jittery and impatient, shorten the length of the sequence severely, and toss in some flash editing for good measure. Thankfully, such crippling flaws are absent in "Shinku."
There are a number of really good dramatic thrillers from Japan that no one ever talks about – "Goth: Love of Death" (2008), "Waiting in the Dark" (2006), "Orochi" (2008), "Sway" (2006), "Shinku" (2005), "Keiho" (1999), "Cure" (1997), and "Angel Dust" (1994), to name but a few. This is really no surprise given the fact that millions of lemmings flock to see every single piece of certifiable crap that Hollywood churns out, and quite literally go out of their way to blatantly ignore virtually every single non-American quality thriller/horror movie in existence. Sometimes I think I'm the only person on planet Earth with a credible taste in movies. How else to explain the utter disregard for the aforementioned films, the unwarranted over-hyped praise for so many European horror movies of the 21st century, or the abject idiocy behind the oft-parroted "criticisms" of Asian movies? There is no other explanation. It's quite simply atrocious cinematic taste that has spread like wildfire on a global level.
If mediocre, sleep-inducing, juvenile garbage like "Hostel" (2005) accumulates 57,314 votes, then surely a film as well-made as "Shinku" deserves that much. As of this writing, "Shinku" has mustered a grand total – I kid you not – of 85 votes. So for every 1 person who sees "Shinku", there are 674 people who have seen "Hostel" (many of which deluding themselves into thinking that it's actually a good movie). If any single set of data points could quantify the level of stupidity within the human race, this is it. Yes, humanity is approximately 674 times more stupid than it should be. Natural selection must surely be taking its time.
This is one hell of a film people. One huge positive of Asian cinema is that the filmmakers are patient enough to slowly develop the characters and circumstances. The viewer spends time with each character and shares their experiences without much need for verbal clarification. For example, the opening half hour is very well-crafted as the protagonist is having fun with her friends on a field trip, but is vaguely informed by her teacher of a family "accident." The uncertainty, fear, and paranoia of this experience is expertly constructed during the lengthy car ride. At one point she passes a car accident, which throws both herself and the viewer into mutual insecurity – "Was her family in that car collision? Are they okay?" This sequence really is gripping in its simplicity and execution, and I seriously doubt that there are many Hollywood directors who are even capable of duplicating this sense of realism. They'd surely get jittery and impatient, shorten the length of the sequence severely, and toss in some flash editing for good measure. Thankfully, such crippling flaws are absent in "Shinku."
There are a number of really good dramatic thrillers from Japan that no one ever talks about – "Goth: Love of Death" (2008), "Waiting in the Dark" (2006), "Orochi" (2008), "Sway" (2006), "Shinku" (2005), "Keiho" (1999), "Cure" (1997), and "Angel Dust" (1994), to name but a few. This is really no surprise given the fact that millions of lemmings flock to see every single piece of certifiable crap that Hollywood churns out, and quite literally go out of their way to blatantly ignore virtually every single non-American quality thriller/horror movie in existence. Sometimes I think I'm the only person on planet Earth with a credible taste in movies. How else to explain the utter disregard for the aforementioned films, the unwarranted over-hyped praise for so many European horror movies of the 21st century, or the abject idiocy behind the oft-parroted "criticisms" of Asian movies? There is no other explanation. It's quite simply atrocious cinematic taste that has spread like wildfire on a global level.
If mediocre, sleep-inducing, juvenile garbage like "Hostel" (2005) accumulates 57,314 votes, then surely a film as well-made as "Shinku" deserves that much. As of this writing, "Shinku" has mustered a grand total – I kid you not – of 85 votes. So for every 1 person who sees "Shinku", there are 674 people who have seen "Hostel" (many of which deluding themselves into thinking that it's actually a good movie). If any single set of data points could quantify the level of stupidity within the human race, this is it. Yes, humanity is approximately 674 times more stupid than it should be. Natural selection must surely be taking its time.
Exciting, sad and unsettling
comic_bookguy5 June 2006
Superb psychological thriller: a young girl's entire family is wiped out by a murderer. Eight years later she befriends the killer's daughter and grows strangely attached to her. Basically a rather simple story about crime and punishment, but made with a nice touch and a great eye for detail. The camera work and editing is amazing, the acting flawless and the story extremely well-written (it will keep you guessing until the very end). The Japanese title means "Deep Red"; there are no other English titles for this one yet as far as I know. Highly recommended for everyone who wants to see a different kind of Japanese horror narrative.
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