In order to restore their dying safe haven, the son of Poseidon and his friends embark on a quest to the Sea of Monsters, to find the mythical Golden Fleece, all the while trying to stop an ancient evil from rising.
Brandon T. Jackson
While Ben Gates is presenting new information about John Wilkes Booth and the 18 pages missing from Booth's diary, a man by the name of Mitch Wilkinson stands up and presents a missing page of John Wilkes Booth's diary. Thomas Gates, Ben's great-grandfather, is mentioned on the page. It shows that Ben's great-grandfather was a co-conspirator in Abraham Lincoln's murder. When doing more research, the conspiracy takes Ben, Abigail Chase, and Riley Poole to Buckingham Palace (which they break into). They discover a plank that has early Native American writing on it. The plank has only one symbol that Patrick Gates can identify. The symbol is Cibola (see-bowl-uh) meaning the City of Gold. In order to define the rest they have to go to Ben's mother, Patrick's divorced wife. After 32 years it brings back old arguments. After that the other clue is in the President's desk in the Oval Office in the White House (which Ben and Abigail sneak into) to discover that the clue lies in The ...Written by
When showing the map of the grounds to the President, Ben tells him it belonged to a slave of Washington's named Charlotte. This is the same name as in the clue to the Templar treasure that Charles Carroll gave to Gates' ancestor (and which turned out to be the name of a ship). Presumably Mt. Vernon was one of many dead ends which Ben pursued in his search for Charlotte and the Templar treasure prior to the events of the first movie, which would explain why he knew about the hidden compartment and how it worked, or it might just be a sly reference to the first National Treasure (2004). See more »
During the chase scene in London, the Range Rover gets the
front end damaged when it hits the back of a large truck. In later scenes during the same chase, sometimes no damage appears on the vehicle. See more »
There are a select few individuals out there that seem to garner everything they know about life from movies, be it political viewpoints, philosophy, etc. and find it objectionable when a movie is produced purely for entertainment purposes. I can't speak for everyone, but as for myself, I don't want to have to pay to have yet another political viewpoint shoved down my throat (CNN/Foxnews broadcasts 24/7 for that), or to be beaten over the head with with the life philosophy of some bazillionaire producer/director that lives in the Ivory Tower that is Hollywood. I can read Zarathustra, the Tao Tse Ching, or even the Bible for that.
When I go to see a movie, I just wan to be entertained, and National Treasure BoS delivers there. Not the best movie I have ever seen, but it was an entertaining escape from reality for two hours and that it was I pay my money for. For me, the best part of the movie wasn't Nic Cage. He has done so many movies, it seems like he has gotten to the point where he is just punching the clock. He doesn't stand out on film, but he isn't horrible either and that is what we get from him here - a very pedestrian workmanlike performance. I would like to think he has another touchstone performance in him like the one he gave in "Leaving Las Vegas", but if he can still keep getting several million per movie just being average, why put in the effort. Diane Kruger was also pretty average. She shined in the first movie, but not so much here.
For me, John Voight, Justin Bartha and Helen Mirren were what made the movie good. John Voight was great. His character was both funny and endearing and the synergy between him and Mirren was palpable. Mirren showed once again why she is arguably the best actress in the business. Justin Bartha was a scene stealer and had some of the funniest lines (along with Voight).
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