It's (Amitabh Bachchan)'s coming back to action movies after quite an absence, and while he's 63 years old. But (Ek Ajnabee) got only one advantage: seeing (Bachchan) in the middle of its anything!
Actually the matter of copying Hollywood movies into Hindi ones is old, and natural. It could be partly why they named it Bollywood. They're making 900 movies per year, so if they suffered of lack, it's ordinary to remake. The non-ordinary matter though is not to confess about it (they even copied Superman!!).
Anyway, as for (Bachchan), he had been there before a lot: 50 % of (Bade Miyan Chote Miyan - 1998) was from (Bad Boys - 1995), 80 % of (Satte Pe Satta - 1982) was from (Seven Brides For Seven Brothers - 1954), and now 90 % of (Ek Ajnabee - 2005) is from (Man On Fire - 2004). Quite a percentage this time. But the man made 22 movie only between 2005 and 2007 (and these are supposed to be his lackluster years!), so he is a living legend and a cinematic machine. However, while movies like (Ek Ajnabee) or (Stranger on Fire!) assured how the big B has to be a consumer goods that must be out there just to be remembered, it assured also how the fans of him shouldn't wait much of their living legend!
(Ek Ajnabee) represents the trade's law of the industry "just make movies", yet with the hastiness of one industry "just steal movies", to impudent extent. For bitter instance, at the credits, they wrote (Manoj Tyagi) as the writer of it, AND its director (Apoorva Lakhia) as the co-writer!! This is silly, and it would have been less silly if they tried to present anything new, or different more than shooting in Bangkok, adding a twist, and a mistreated wonderful song. Especially in a movie that took everything from its unspoken-about original: the characters, the events, the dialogue, even the famous style of direction!
It really gets on your nerves when the makers of it give the chosen child (Rucha) 3 months before shooting to learn how to swim, while they didn't spend a day to make any creative changes in the stolen script, or even a whole new one of their own!
It's a 142 min video clip with the entire positive and negative meanings of the word. Although I knew all along that I was watching a fast shadow of a movie, and that (Bachchan) is commercially saying: "I'm here and capable". But I recognized in slight moments how I found myself anxious like he was (waiting for the child with the balloons), angry as he was (facing the father with the truth). It's the genius unity between the charismatic star and the viewer, which confirmed not only my axiomatic love for (Bachchan) as one of the great cinematic icons, or my history of watching him through memorable flicks since I was a kid, but also that he still has it, and to tell you the truth he misuses it too. Yes, it's fun to watch him through that flashy atmosphere, and as that angry, not smiling, old avenger. But he was old enough to be the girl's grandfather. Add to that, a script that didn't provide him with what could demand strong acting. So despite how he managed the mission well, it wasn't a well mission in the first place!
If you want to talk about (Ek Ajnabee) independently, away from its original, so: How (Bachchan) got the photo of the criminal who he killed at the barber shop?, if the cartoonish evil kidnapper (the one with the particular haircut) owns the girl from the start; why he didn't negotiate earlier?, and basically if the girl was alive all along, then the diabolical revenge of (Bachchan) was completely absurd?, and how he became forgiven at the end for all of these murders? (It's only a cooperating officer who managed to hide all of these GOOD crimes, so Abracadabra and Booph!), and seriously if (Arjun Rampal) had a big hand in it, how he left (Bachchan) slaughtering all of his men like that?, or how he was helping him out with it? "They all mean nothing to me" as (Rampal) justifying poorly and idiotically at the end!!
There were some unbearable points: the numbers, despite their fewness. The very last scene (after 15 years!!!). (Abhishek Bachchan) as the new bodyguard (soooooo ridiculous even by doing nothing, totally the opposite of his dad), most probably it was mutual favor, as his father appeared in one of his recent movies, at the time, as a guest star also. And most of all the try of reproducing (Tony Scott)! Like having the same poetry about the same situations but read by one other than the real poet, one who's adolescent and obtuse.
Generally, for an action evening, it's a fair show, technically well, and most of all it got the Amith magic. But I missed the dramatic originality, the old Bollywood intensive desire to entertain even by the heavy melodramatic marked way (at least it was their personality), any possible depth, any memorable sequences, or performance more than seeing my star in a video clip that has all the positive and negative meanings of the word, however here.. The negative exceeded.
To tell you the truth, every star is consumer goods one way or another. And (Bachchan) through (Ek Ajnabee) is a perfect example for that.
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