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1408 (2007)

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A man who specializes in debunking paranormal occurrences checks into the fabled room 1408 in the Dolphin Hotel. Soon after settling in, he confronts genuine terror.

Director:

Mikael Håfström

Writers:

Matt Greenberg (screenplay), Scott Alexander (screenplay) | 2 more credits »
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3,133 ( 176)
4 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
John Cusack ... Mike Enslin
Paul Birchard Paul Birchard ... Mr. Innkeeper
Margot Leicester Margot Leicester ... Mrs. Innkeeper
Walter Lewis ... Book Store Cashier
Eric Meyers ... Man #1 at Book Signing
David Nicholson David Nicholson ... Man #2 at Book Signing
Holly Hayes ... Lady at Book Signing
Alexandra Silber ... Young Woman at Book Signing
Johann Urb ... Surfer Dude
Andrew Lee Potts ... Mailbox Guy
Tony Shalhoub ... Sam Farrell
Emily Harvey Emily Harvey ... Secretary
Bill Armstrong Bill Armstrong ... Clay the Lawyer (as William Armstrong)
Kim Thomson ... Desk Clerk
Drew Powell ... Assistant Hotel Manager
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Storyline

The cynical and skeptical writer Mike Enslin writes books evaluating supernatural phenomena in hotels, graveyards and other haunted places, usually debunking the mystery. While writing his latest book, he travels from Los Angeles to New York to spend one night in the Dolphin Hotel's posessed room 1408, which is permanently unavailable for guests. The reluctant manager Mr. Gerald Olin objects to his request and offers an upgrade, expensive booze and finally relates the death of more than fifty guests over decades in the cursed room. However Mike threatens Mr. Olin, promising to sue the hotel, and is finally allowed to check into the room. Later in the night, he finds that guests of room 1408, once they have checked in, might never leave the room alive. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Based on the terrifying story by Stephen King See more »

Genres:

Drama | Horror

Motion Picture Rating (MPAA)

Rated PG-13 for thematic material including disturbing sequences of violence and terror, frightening images and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

22 June 2007 (USA) See more »

Also Known As:

Soba 1408 See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$20,617,667, 24 June 2007, Wide Release

Gross USA:

$71,985,628

Cumulative Worldwide Gross:

$131,998,242, 8 February 2009
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

SDDS | Dolby Digital | DTS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

This movie makes many references and uses other tropes common to King's other works, including the spoken line, "this is eight, we have killed your friends! Every friend is now dead!" (The Dark Tower books), sentimental objects of the deceased such as Katie's dress and Mike's tape recorder reappearing in odd places (the short story "The Things They Left Behind" from King's anthology Just After Sunset), the name "Grady" being used (The Shining), the usage of open graves to taunt the protagonist (Stephen King's It (1990)) and a writer being trapped in a scary place (Misery). See more »

Goofs

If no electronic gadgets can work in the room how does Mike's laptop work? The room is meant to mess with Enslin's mind, so it would be guessed that letting him use these items are for mere amusement of the room. See more »

Quotes

[first lines]
Mike Enslin: Hi. Mike Enslin. Checking in.
See more »

Alternate Versions

The theatrical version is run 104 minutes and the director's cut version is run 112 minutes. See more »

Connections

Referenced in 2007 MTV Movie Awards (2007) See more »

Soundtracks

We've Only Just Begun
Written by Roger Nichols (as Roger S. Nichols) and Paul Williams (as Paul H. Williams)
Performed by The Carpenters
Courtesy of A&M Records
Under license from Universal Music Enterprises
See more »

Frequently Asked Questions

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User Reviews

 
Surprisingly effective
22 June 2007 | by keiichi73See all my reviews

While doing some research before reviewing 1408, I was shocked to discover that this was the first time since 2004's Riding the Bullet that a film based on a Stephen King story had gotten the big screen treatment. 1408 marks somewhat of a comeback to the silver screen for the author after mainly working with television the past couple years. Director Mikael Hafstrom has created the most atmospheric and downright tense thriller I can think of so far this year. The premise may be thin, and yeah, it doesn't always make a lot of sense. But, is it ever effective.

Mike Enslin (John Cusack) used to be a promising author until the untimely death of his young daughter, Katie (Jasmine Jessica Anthony). He now spends his time writing trashy paranormal novels about the world's most haunted areas. He travels the world, doing research by staying overnight at places that are supposed to be haunted, gets some colorful background info that he can use for material, and then moves on to his next job. One day, Mike receives a postcard informing him of an old hotel in New York City called the Dolphin Hotel, which is supposed to have a room that has quite the history. Doing some private research, he learns that the Dolphin has had a long and tragic history of deaths, all of them surrounding the guests that have stayed in Room 1408. Mike books the room, despite the warnings of the hotel manager, Gerald Olin (Samuel L.Jackson). Entering the room, nothing seems ominous at first. But then, the room itself begins to take on a life of its own, and begins tormenting Mike with various ghostly apparitions, mind tricks, and even displaying his own painful past before him in various ways.

1408 is the second thriller set around a hotel released in less than two months (the other being April's Vacancy), and is by far the superior film. The film is actually quite subtle in its way of creeping us out and disturbing us, which is a nice change of pace from the recent Hostel: Part II. Rather than bombard the audience with ghostly special effects and gore, the movie gets under your skin and goes for a much more psychological approach. The screenplay by Matt Greenberg, Scott Alexander, and Larry Karaszewski, wisely does not even attempt to explain Room 1408. It's just a very evil presence that can somehow look deep within troubled souls, and torture them to death with their own personal demons. In the wrong hands, this material could have been laughable. Even though the movie frequently flies into the realm of the unbelievable, it manages to somehow stay grounded.

A lot of this has to do with the fact that the film never loses its way, and become an excuse to throw as many special effects and jump scares into the movie as it possibly can. The human element of Mike Enslin is always at the center of the story itself, and its scares. The movie is built around the fact that he is forced to face his personal demons the longer he stays in his room, as well as try to keep his mind in check as various nightmarish hallucinations are paraded before him. It's much more effective than the usual characters that have passed as villains in recent paranormal films (usually gray-skinned people with hair over their faces), and it never once becomes heavy-handed or preachy. This is also a tricky balance to pull off. When the room started showing him flashbacks of Mike's own past, I grew nervous, thinking that the movie was going to start hitting us over the head with morales. Fortunately, it never once loses its sense of the eerie, and remains appropriately unsettling throughout.

At the center of the movie is John Cusack, who literally has to carry the movie almost by himself. This is essentially a one-man show for most of its running time, with fleeting apparitions being his main companions. Cusack has long been a favorite of mine, and this is one of his stronger recent roles. He not only has to carry almost the entire film on his own, but he also has to convincingly act like he is slowly going insane without hamming it up, or losing his personality. Any actor can tell you that madness is a difficult thing to depict. He strikes a very good balance, and remains believable throughout. Samuel L. Jackson is also notable in his small, but no less important, role as the manager who tries to talk Mike out of his decision to stay in the room. And then, of course, there is Room 1408, which is a character itself. The way it is constantly changing itself, right down to the paintings on the wall, creates an effectively creepy atmosphere that is continuously bizarre, but never so much so that we lose our sense to believe.

1408 succeeds where so many other films have failed in that it is not about apparitions jumping out at the actors or lurking in dark shadows. It digs much deeper for its horror than simple jolt thrills, and becomes an effectively thrilling horror film. It could be argued that the whole thing loses some weight when we apply logic to the story. But seriously, who wants to apply logic to a movie about an evil hotel room that can read your mind? When all is said and done, 1408 is a reminder of what horror can do. It can do so much more than thrill us. It can also make us laugh and leave us captivated. Perhaps what's more surprising than the fact that the movie can accomplish all that is that so few other horror films can.


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