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1408 (2007)

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A man who specializes in debunking paranormal occurrences checks into the fabled room 1408 in the Dolphin Hotel. Soon after settling in, he confronts genuine terror.

Director:

Mikael Håfström

Writers:

Matt Greenberg (screenplay), Scott Alexander (screenplay) | 2 more credits »
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2,231 ( 207)
4 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
John Cusack ... Mike Enslin
Paul Birchard Paul Birchard ... Mr. Innkeeper
Margot Leicester Margot Leicester ... Mrs. Innkeeper
Walter Lewis ... Book Store Cashier
Eric Meyers ... Man #1 at Book Signing
David Nicholson David Nicholson ... Man #2 at Book Signing
Holly Hayes ... Lady at Book Signing
Alexandra Silber ... Young Woman at Book Signing
Johann Urb ... Surfer Dude
Andrew Lee Potts ... Mailbox Guy
Tony Shalhoub ... Sam Farrell
Emily Harvey Emily Harvey ... Secretary
Bill Armstrong Bill Armstrong ... Clay the Lawyer (as William Armstrong)
Kim Thomson ... Desk Clerk
Drew Powell ... Assistant Hotel Manager
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Storyline

The cynical and skeptical writer Mike Enslin writes books evaluating supernatural phenomena in hotels, graveyards and other haunted places, usually debunking the mystery. While writing his latest book, he travels from Los Angeles to New York to spend one night in the Dolphin Hotel's posessed room 1408, which is permanently unavailable for guests. The reluctant manager Mr. Gerald Olin objects to his request and offers an upgrade, expensive booze and finally relates the death of more than fifty guests over decades in the cursed room. However Mike threatens Mr. Olin, promising to sue the hotel, and is finally allowed to check into the room. Later in the night, he finds that guests of room 1408, once they have checked in, might never leave the room alive. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Based on the terrifying story by Stephen King See more »

Genres:

Drama | Horror

Motion Picture Rating (MPAA)

Rated PG-13 for thematic material including disturbing sequences of violence and terror, frightening images and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

22 June 2007 (USA) See more »

Also Known As:

Soba 1408 See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$20,617,667, 24 June 2007, Wide Release

Gross USA:

$71,985,628

Cumulative Worldwide Gross:

$131,998,242, 8 February 2009
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

SDDS | Dolby Digital | DTS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Samuel L. Jackson and John Cusack appeared in another Stephen King adaption, Cell (2016). See more »

Goofs

After Mike discovers the turned-down bed (and the neat toilet roll in the bathroom), he switches off the radio. The cognac is perched right on the edge of the table. When he tries figuring out where the maid might be, the cognac has suddenly moved back. See more »

Quotes

[first lines]
Mike Enslin: Hi. Mike Enslin. Checking in.
See more »

Connections

Referenced in Jeopardy!: 2010 College Championship Finals: Game 2 (2010) See more »

Soundtracks

Eine Kleine Nachtmusik
Written by Wolfgang Amadeus Mozart
Performed by The Swedish Concert Orchestra
Courtesy of Naxos
By Arrangement with Source/Q
See more »

Frequently Asked Questions

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User Reviews

Shined Up
20 September 2008 | by tedgSee all my reviews

Shined Up

I decided to watch this after Polanski's "the Tenant" and that was probably a bad choice, because that film is precious.

This one consists of three elements, typical of the King formula.

The first is the expression of terror, shaped safely so that you can watch but not be personally threatened. I think this is a King invention. Here, we know WE would have taken seriously the warnings so he deserves what he gets. It relieves us.

The second element is trite, so far as I am concerned. Also a King specialty is to weave some sort of emotional trauma into the otherwise merely decorative horror. Here it is the death of our character's child, which happened before we meet him. This allows for the final zinger.

The third element is the stuff I study and that King knows well. I call it narrative folding. Situations are nested in each other. Time gets shifted, at the same time that the period in the room proceeds in real time, even with a clock counting down. Ghosts inhabit ghosts and all people are ghosts. Cold is hot. Water is land. Daughter is wife.

This is the stuff that makes the film work, and I think it is done pretty well. Its why they picked Cusak. He understands this stuff. Has since "Malkovich" and "Fidelity" and mastered in "Identity."

Ted's Evaluation -- 3 of 3: Worth watching.


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