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IMDbPro

1408

  • 20072007
  • PG-13PG-13
  • 1h 44m
IMDb RATING
6.8/10
278K
YOUR RATING
POPULARITY
1,843
217
John Cusack and Samuel L. Jackson in 1408 (2007)
Home Video Trailer from Weinstein Co.
Play trailer0:28
1 Video
99+ Photos
FantasyHorrorMystery
A man who specialises in debunking paranormal occurrences checks into the fabled room 1408 in the Dolphin Hotel. Soon after settling in, he confronts genuine terror.A man who specialises in debunking paranormal occurrences checks into the fabled room 1408 in the Dolphin Hotel. Soon after settling in, he confronts genuine terror.A man who specialises in debunking paranormal occurrences checks into the fabled room 1408 in the Dolphin Hotel. Soon after settling in, he confronts genuine terror.
IMDb RATING
6.8/10
278K
YOUR RATING
POPULARITY
1,843
217
    • Mikael Håfström
  • Writers
    • Matt Greenberg(screenplay)
    • Scott Alexander(screenplay)
    • Larry Karaszewski(screenplay)
  • Stars
    • John Cusack
    • Samuel L. Jackson
    • Mary McCormack
    • Mikael Håfström
  • Writers
    • Matt Greenberg(screenplay)
    • Scott Alexander(screenplay)
    • Larry Karaszewski(screenplay)
  • Stars
    • John Cusack
    • Samuel L. Jackson
    • Mary McCormack
  • See production, box office & company info
    • 713User reviews
    • 318Critic reviews
    • 64Metascore
  • See more at IMDbPro
    • Awards

    Videos1

    1408
    Trailer 0:28
    Watch 1408

    Photos113

    John Cusack and Samuel L. Jackson in 1408 (2007)
    John Cusack in 1408 (2007)
    John Cusack in 1408 (2007)
    John Cusack and Jasmine Jessica Anthony in 1408 (2007)
    John Cusack in 1408 (2007)
    John Cusack in 1408 (2007)
    John Cusack in 1408 (2007)
    John Cusack in 1408 (2007)
    John Cusack in 1408 (2007)
    John Cusack in 1408 (2007)
    John Cusack in 1408 (2007)
    John Cusack and Samuel L. Jackson in 1408 (2007)

    Top cast

    Edit
    John Cusack
    John Cusack
    • Mike Enslin
    Samuel L. Jackson
    Samuel L. Jackson
    • Gerald Olin
    Mary McCormack
    Mary McCormack
    • Lily
    Tony Shalhoub
    Tony Shalhoub
    • Sam Farrell
    Len Cariou
    Len Cariou
    • Mike's Father
    Isiah Whitlock Jr.
    Isiah Whitlock Jr.
    • Hotel Engineer
    Jasmine Jessica Anthony
    Jasmine Jessica Anthony
    • Katie
    Paul Birchard
    • Mr. Innkeeper
    Margot Leicester
    • Mrs. Innkeeper
    Walter Lewis
    Walter Lewis
    • Book Store Cashier
    Eric Meyers
    Eric Meyers
    • Man #1 at Book Signing
    David Nicholson
    • Man #2 at Book Signing
    Holly Hayes
    Holly Hayes
    • Lady at Book Signing
    Alexandra Silber
    Alexandra Silber
    • Young Woman at Book Signing
    Johann Urb
    Johann Urb
    • Surfer Dude
    Andrew Lee Potts
    Andrew Lee Potts
    • Mailbox Guy
    Emily Harvey
    • Secretary
    William Armstrong
    • Clay the Lawyer
      • Mikael Håfström
    • Writers
      • Matt Greenberg(screenplay)
      • Scott Alexander(screenplay)
      • Larry Karaszewski(screenplay)
    • All cast & crew
    • Production, box office & more at IMDbPro

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      In the movie, Mike Enslin (John Cusack) says to his recorder, "Hotel rooms are just naturally creepy places, don't you think? I mean, how many people have slept in that bed before you? How many of them were sick? How many were losing their minds?" Stephen King wrote this in his explanatory note of 1408 in his compilation book of short stories.
    • Goofs
      When Mike Enslin is on the ledge outside, the size of the ledge changes. When there is a shot of just his feet, he appears to only be able to fit half of his foot on the ledge at most, however when there are long shots which include Enslin's feet, they are fully on the ledge and are given about an inch of space. However, as the movie's main theme is based around reality and Mike's (and therefore our) perception of it, this may well be deliberate - the ledge really is wide enough for his feet but to his eyes it's far too narrow, thus heightening his fear.
    • Quotes

      Mike Enslin: [Olin gives Enslin the room key] Most hotels have switched to magnetics. An actual key. That's a nice touch, it's antiquey.

      Gerald Olin: We have magnetic cards also, but electronics don't seem to work in 1408. Hope you don't have a pacemaker.

      Mike Enslin: [into his tape recorder] General manager claims that the phantom in room interferes...

      Gerald Olin: I have *never* used the word "phantom."

      Mike Enslin: Oh, I'm sorry. Uh, spirit? Specter?

      Gerald Olin: No, you misunderstand. Whatever's in 1408 is nothing like that.

      Mike Enslin: Then what is it?

      Gerald Olin: It's an evil fucking room.

    • Alternate versions
      -***Spoiler Alert - Alternate Ending*** The Director's Cut contains a more tragic ending. Mike Enslin sets fire to 1408 but is not rescued by the fire department. Instead, the last we see of him is when he's lying on his back in the burning room and we hear the words of his daughter "everybody dies". The camera zooms in on the numbers on the outside door, just as they melt from the heat. The next scene is at Mike's funeral where his coffin is lowered into the ground right next to his daughter's; just as the visions 1408 prophesied. Lily is there, being consoled by Mike's agent. As the procession ends, Lily walks to her car and is met by Gerald Olin who is carrying a box. Gerald introduces himself and gives his condolences. He says the box contains some of Mike's belongings still left in the room. He offers it to Lily while also trying to explain, with a sense of hope, that Mike's death of was not in vain and that because of his actions no one else will *ever be able to stay in room 1408. Lily, in too much grief to listen, cuts him off and refuses to accept the box. Gerald returns to his car and opens the box, which contains the nightgown that was sent through the fax machine as well and the burned tape recorder. Gerald plays it and hears the same dialog between Mike and his daughter heard at the end of the theatrical release. As he listens, he sees a young girl in his rear-view mirror waving in his direction. He turns around to look at her and catches a brief vision of Mike Enslin in his back seat, hideously burned. Gerald jumps but the vision quickly disappears. He looks back at the girl who has found her dad that was looking for her. Gerald catches his breath, starting his car and driving off. The final scene goes back to room 1408. We see a specter Mike Enslin staring out the window. The last shot is of him finishing his cigarette and walking towards the door just as he vanishes.
    • Connections
      Featured in Getaway: Episode #16.41 (2007)
    • Soundtracks
      We've Only Just Begun
      Written by Roger Nichols (as Roger S. Nichols) and Paul Williams (as Paul H. Williams)

      Performed by The Carpenters

      Courtesy of A&M Records

      Under license from Universal Music Enterprises

    User reviews713

    Review
    Review
    Featured review
    7/10
    A homicidal room with a view.
    The idea behind 1408 is actually kind of cute; a sort of 'what if' scenario based on what might happen if an inanimate object was given life. We've all seen Child's Play and perhaps the less than desired sequels but here, the inanimate object given life and then forced to fall into the horror genre is a motel room – a neat and effective idea. Following on from other such Stephen King adaptations, 1408 adopts the approach of putting someone in an individual location and then allowing events to unfold around them without ever letting them leave: it can be a prisoner in The Shawshank Redemption in a prison; a crippled author trapped in a lodge in Misery or a haunted motel room you cannot escape from as seen here.

    1408 begins with an immediacy; a false immediacy that caught me off guard and worked really well. We get John Cusack's character Mike Enslin driving in the rain, at night and clearly lost – an easy, easy set up for a horror film but what follows is him finding the motel he was looking for, staying the night and leaving the next day in some disappointment – it is an anticlimax, for the character as well as for us as we have been led down a route of suspecting the film will begin its scares from the very off with a familiar set up before having everything cancelled and having the film cut to some bright, colourful shots of people surfing.

    But the subject matter and choice of editing is the secret here and it mirrors the idea the director has for the anti-climax. A dark, wet and 'spooky' for the genre night is juxtaposed for shots of the sea and surfers going about their business in bright sunshine. In fact the film goes on and has its ghost hunting author of the lead role state that he hasn't ever actually even seen a ghost, which further adds to the now dead and unsuspecting atmosphere the film has decided to lay onto us. It's these early mind-games and cancelling out what we take for granted that kicks the film off wonderfully well, setting up things to come.

    But Mike is drawn to a hotel called The Dolphin, and its infamous room 1408 from which the film gets its title. 1408 is a doomed, cursed room that keeps its inhabitants and renders them insane over time by basically erasing them from the face of the Earth; either that or erasing the face of the Earth around them so that the room and the individual are the only things that seem to exist. But while the film is not flawless, the exchanges and that initial thirty to forty minute trip once inside the room has more than enough ammunition to label this a successful horror film. The pleasantries and the introductions are done in a very urgent and dismissive manner; hotel hot-shot Gerald Olin (Jackson) doesn't build the room up prior to entry in a 'be careful' or a 'it's dangerous' mannerism but goes the whole hog and simply tells Mike it's a death trap and he will not survive, period.

    The funny thing is that we have no reason to believe anything that initially happens in room 1408 is really all that bad. The film has given us a series of scenes prior to the main course of a night in 1408 that do not have anything to do with the horror genre, at least not conventionally: they consist of a beach scene where people surf; a public book signing and a scene in which the lead character checks their mail – how many horror films would usually have their lead check their mail before heading off for the film's main plot strand? But this is what's clever about 1408, the 'scares' at the early stage consist of window's accidentally shutting on the individual's hand; taps breaking off and spraying water everywhere and the alarm radio randomly coming on to the tune of The Carpenters.

    So these events could just be coincidence, indeed even Mike comes to the conclusion he has been drugged through the whiskey and complimentary mint after all the fancy build up and is imagining it all, he and us have good reason to believe it could all be fake. One of the other reasons 1408 works is because of its protagonist and how strong and independent they are – the hero here is not some teenager whose reason to exist is so that they can be chased by a knife wielding maniac, Mike is a smart man who seeks these sorts of situations down and indeed uses several methods to calm himself down when everything feels a little too real – he is rational and realistic.

    Although the best bit about 1408 is what you might come to realise afterwards in the sense it could be a metaphorical journey for Mike given what revelations and problems arise, to do with domestic issues, later on. 1408 is his purgatory where he is forced to confront his past demons; it's a metaphor for coming to terms with what happened and who he is, especially after so many monotonous mis-fires in this job as an author. 1408 is a creepy and unnerving film that also comes across as quite smart. In my view, a success.
    helpful•19
    4
    • johnnyboyz
    • Sep 7, 2008

    FAQ9

    • Is '1408' based on a book?
    • What is the name of the song that plays whenever the alarm clock radio goes off?
    • Who is Encyclopedia Brown?

    Details

    Edit
    • Release date
      • June 22, 2007 (United States)
      • United States
      • Official site (Taiwan)
      • English
    • Also known as
    • Filming locations
      • Roosevelt Hotel - 45th Street & Madison Avenue, Manhattan, New York City, New York, USA
    • Production companies
      • Dimension Films
      • The Weinstein Company
      • Di Bonaventura Pictures
    • See more company credits at IMDbPro

    Box office

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    See detailed box office info on IMDbPro

    Technical specs

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    • 1 hour 44 minutes
      • Color
      • SDDS
      • Dolby Digital
      • DTS

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