4 interlocking stories connected by a single gun converge at the end to reveal a complex and tragic story of the lives of humanity around the world and how we truly aren't all that different. In Morocco, a troubled married couple are on vacation trying to work out their differences. Meanwhile, a Moroccan herder buys a rifle for his sons so they can keep the jackals away from his herd. A girl in Japan dealing with rejection, the death of her mother, the emotional distance of her father, her own self-consciousness, and a disability among many other issues, deals with modern life in the enormous metropolis of Tokyo, Japan. Then, on the opposite side of the world the married couple's Mexican nanny takes the couple's 2 children with her to her son's wedding in Mexico, only to come into trouble on the return trip. Combined, it provides a powerful story and an equally powerful looking glass into the lives of seemingly random people around the world and it shows just how connected we really ...Written by
Alejandro G. Iñárritu and his writer Guillermo Arriaga had a big falling out over credit for the film. This stemmed mainly over credit of authorship over their previous film "21 Grams". Arriaga argued that cinema is a collaborative medium and that both he and Inarritu should have shared credit over the entire project, whereas Inarritu was claiming sole credit. As a result, Inarritu banned Arriaga from attending the 2006 Cannes Film Festival to great criticism from his peers. See more »
When we first see Amelia, she is receiving a call from Richard. She asks him to find someone to care for his children so she can attend her son's wedding in Mexico. He says it's impossible(Susan has been shot in Morocco). Much later, after we have seen Susan airlifted to a hospital, we see the same call, from Richard's end, in which he tells Amelia that "Rachel" is coming to care for the children, so that Amelia can go to the wedding. See more »
It's almost new. Three hundred cartridges. The guy who gave it to me said you can hit as far as three kilometers.
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I admire Gonzalez Inarritu's balls and his talent of course. He opens himself up for a barrage of criticism and ridicule but at the end his genius wins. I saw the film months ago and I still think about it. I haven't seen it again because the recollection is so powerful and I don't want to mess it up by seeing it again intentionally. The Mexican woman with the white kids in the desert has become part of my nightmares. What an enormous thing for a movie to accomplish. I'm giving it a 10 and not because I "like" the film so much but because I saw myself coming to the conclusion that the film is a masterpiece all on my own. It inspires respect. Christ! I can't believe I'm saying that but I am and I'm meaning every word. In a way it reminds me of Bunuel's "Viridiana" a film that I hated so much it has become one of the most important films of my life. Go figure. To be disturbed. I mean deeply disturbed is a strange experience and I suspect that it has to do with being confronted by the truth.
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