4 interlocking stories connected by a single gun converge at the end to reveal a complex and tragic story of the lives of humanity around the world and how we truly aren't all that different. In Morocco, a troubled married couple are on vacation trying to work out their differences. Meanwhile, a Moroccan herder buys a rifle for his sons so they can keep the jackals away from his herd. A girl in Japan dealing with rejection, the death of her mother, the emotional distance of her father, her own self-consciousness, and a disability among many other issues, deals with modern life in the enormous metropolis of Tokyo, Japan. Then, on the opposite side of the world the married couple's Mexican nanny takes the couple's 2 children with her to her son's wedding in Mexico, only to come into trouble on the return trip. Combined, it provides a powerful story and an equally powerful looking glass into the lives of seemingly random people around the world and it shows just how connected we really ...Written by
When we first see Amelia, she is receiving a call from Richard. She asks him to find someone to care for his children so she can attend her son's wedding in Mexico. He says it's impossible(Susan has been shot in Morocco). Much later, after we have seen Susan airlifted to a hospital, we see the same call, from Richard's end, in which he tells Amelia that "Rachel" is coming to care for the children, so that Amelia can go to the wedding. See more »
It's almost new. Three hundred cartridges. The guy who gave it to me said you can hit as far as three kilometers.
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A Bit Of Teaching, A Lot Of Preaching, Oodles of Talent
I loved "Amores Perros" It was revolutionary in so many ways and smelled like the real thing even if I couldn't quite put my finger as to what the real thing really was. "21 Grams" had gigantic intentions and superb performances but didn't feel quite revolutionary because we had kind of seen it before - and better - in "Amores Perros". Now "Babel" and, my goodness, the first thing that comes to mind is, what an extraordinary filmmaker Inarritu really is. I suspect that his universe, even if it feels infinite, it is framed - beautifully so - between the walls of biblical references. His methods may be way ahead of the times but the roots are as ancestral as fire itself. I'm not sure where I want to go with all this but the question is, Inarritu is taking me places and that's what I long for in a filmmaker. He's not taking any of us for granted and I'm very grateful for that. His movies are experiences and I for one can't wait for the next one.
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