Set against the backdrop of Carnaval in Salvador, Brazil, the movie cuts between shots of musicians performing on an elevated stage; images of sweaty, often splendidly costumed onlookers; ... See full summary »
Valter Vicente Pinho Neto,
In 2007, Matthew Barney and Jonathan Bepler began a new collaborative project inspired by American author Norman Mailer's 1983 novel Ancient Evenings, set in pharaonic Egypt. The project ... See full summary »
Dave Bald Eagle,
John Buffalo Mailer
A video installation in which Satyrs grapple in a limousine as it drives through the tunnels of New York City. While one satyr chases its tail in the front seat, another attempts to make a ... See full summary »
There once was a girl named Anna Young. She was the perfect child. One day, Anna wakes up with a horrible illness. She looks like a sad version of Marilyn Manson and is terribly moody. When... See full summary »
Margit and her older sister, Katla, flee their homeland in Iceland after their mother is killed for practicing witchcraft. Needing a place to stay, Katla casts a spell over a young farmer ... See full summary »
Bryndis Petra Bragadóttir,
Valdimar Örn Flygenring
I watched this movie as a preview of a Matthew Barney art exhibit. It certainly prepared me. I almost skipped the exhibit and, in retrospect, probably should have.
Aside from the score being great (Bjork) and the photography rich and colorful, the content was mostly tedious and predictable. Gee, I really needed to see someone wearing pearls to figure out what the pearl-divers were up to. The film was mostly a silly mixture of Japanese cultural references and industrial shots of modern whaling technology being used in a mock-hunt/harvest. The film "peaks" with enough gratuitous shock-art to turn your stomach.
What was the point of the movie? While others might argue that it is an anti-whaling piece, one could equally argue that it somehow also justifies whaling. Personally I think it was Barney's attempt at "flashing" the audience with his anal, fecal, self-mutilation, and cannibalistic fetishes.
Bottom line: unless you really get off on Barney's sense of art, don't bother seeing this movie. The message is obscure, the pace slow, and the cultural references pretentious. If you're after shock-art, you'll do better at one of the many "Undead" movies or hunting down an old copy of Hustler and taking in a fecal-cartoon.
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