As the American Civil War continues to rage, America's president struggles with continuing carnage on the battlefield as he fights with many inside his own cabinet on the decision to emancipate the slaves.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives forever.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
In 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must decide whether the Mende are slaves or legally free.
In 1865, as the American Civil War winds inexorably toward conclusion, U.S. president Abraham Lincoln endeavors to achieve passage of the landmark constitutional amendment which will forever ban slavery from the United States. However, his task is a race against time, for peace may come at any time, and if it comes before the amendment is passed, the returning southern states will stop it before it can become law. Lincoln must, by almost any means possible, obtain enough votes from a recalcitrant Congress before peace arrives and it is too late. Yet the president is torn, as an early peace would save thousands of lives. As the nation confronts its conscience over the freedom of its entire population, Lincoln faces his own crisis of conscience -- end slavery or end the war.Written by
Jim Beaver <email@example.com>
Joseph Gordon-Levitt and Brenda Fricker have worked with Daniel Day-Lewis. Brenda in My Left Foot (1989), and Joseph in Lincoln (2012). See more »
Near the beginning of the film, Thaddeus Stevens leaves his office. He opens a door, and it closes via an automatic door closer, which was invented in the 1880s. See more »
Private Harold Green:
[speaking to Lincoln on the battlefield]
Some of us was in the Second Kansas Colored. We fought the Rebs at Jenkins' Ferry last April just after they killed every Negro soldier they captured at Poison Springs. So at Jenkins' Ferry, we decided warn't takin' no Reb prisoners. And we didn't leave a one of 'em alive. The ones of us that didn't die that day, we joined up with the 116th US Colored, sir, from Camp Nelson, Kentucky.
See more »
No opening credits except for the main title. See more »
For international releases, an additional prologue about the Civil War was added prior to the start of the film. It mostly shows archive photos with the prologue text included in it. This was decided by the studio's marketing department in its research which realized that while many non-American audiences know of the titular character, most of them are not familiar with the war itself. See more »
'Lincoln' is one of the bigger favorites for Oscar Awards this year and will certainly be one of the heroes of the evening in Hollywood a few weeks from now. It is made by one of the greatest directors of our time, it tells a big American story and features a big American hero, it enjoys some fine acting and is very accurate in searching into history and retrieving a moment and a story that continues to impact the American social and political fabric until today. And yet, 'Lincoln' did not turn to me into a cinema experience to enjoy. Actually something interesting happens with my relation with Steven Spielberg. The film I liked most is one of his first – the very little known Duel, a minimalistic masterpiece, followed by the wonderful Close Encounters and E.T. I enjoyed the Indiana Jones and The Jurassic Park series for what they are meant to be – great entertainment. However my personal experience with his 'serious stuff' is mixed. While Saving Private Ryan is for me the best war film ever made, and Schindler's List is one of the best in the Holocaust genre, other stuff looks sometimes pretentious, sometimes too naive. As much as he tries to prove, Spielberg cannot do films about any subject, I mean he certainly can, but not all are that good.
Most of the action in 'Lincoln' takes place during the month of January of 1865. After four years of Civil War victory is quite close for the North, but the ending would have been meaningful only if the 13th Amendment making slavery illegal was adopted, making the reason of going to war and the temporary judicial war decisions part of the Constitution. Timing is critical, as the nation is tired and aspires for peace and recovery, and without the adoption of the amendment the end of the war may mean a compromise that leaves slavery in place. Abraham Lincoln will make all possible political maneuvering in order to have the amendment pass, in a Congress where he did not have the required majority. There is an interesting dilemma here about using 'unclean' political means in order to achieve a just cause and this is one of the principal themes. There are two problems here however in my opinion. One is that the political intrigues occupy a good half if not more of the film, and what we get on the screen is a painfully long succession of bearded gentlemen under top hats arguing and bribing for the good cause. I guess some of the American audiences are more familiar with the historical characters, but even so this is a long and repetitive succession of more of the same, and even the climax scene of the voting in the House misses some of the thrill I have expected. The other problem is the political speak which is attributed to almost all characters in the film. Maybe the script writers used fragments from speeches, I do not know, but there is too much rhetoric, too many historical sentences are being said by many characters (not only by Lincoln) and even in what should have been day-to-day situations. The overall result seemed to me tiring and emphatic. It is actually the non-political secondary threads that seemed more interesting – for example the agonizing decision of the parents Lincoln not allowing their elder son to fight in the war. This dilemma would have deserved a film by itself, a smaller but maybe better one.
Much was said and written (even a cover story in TIME Magazine) about Daniel Day-Lewis's impersonation of Lincoln. He is good but far in my opinion from his own creation in 'My Left Foot' or from Joaquin Phoenix's act in 'The Master' (best acting of the year in my view). The way he is filmed does not help, too many frames are looking towards catching his silhouette or making his profile look like the pictures which represent Lincoln in his time. Again, when he is human, when his words are not taken from speeches he looks and sounds better, but this is only for part of the time. Rhetoric prevailed in the building of this role, and Spielberg's scope looks like creating as many scenes to quote, but less to link them in a fluent story as he knows to do that well. I liked much more the supporting roles of Sally Field as a Lincoln's wife, or maybe the wife of all presidents or great men who sacrifice their personal lives for the greater causes, and of Tommy Lee Jones as the radical pro-abolitionist politician Thaddeus Stevens, a man whose life was dedicated to the fight against slavery, but who knows to make the right political move at the critical moment to achieve the legal confirmation of the dream, at a tough personal price with respect to his own ideals. In a movie where so many characters including the one that gives the name of the film are no more than rhetoric symbols, these two living heroes played by the two great actors make a refreshing difference.
68 of 113 people found this review helpful.
Was this review helpful to you?
| Report this