Después de su muerte, una madre regresa a su pueblo natal para arreglar las situaciones que no pudo resolver durante su vida.Después de su muerte, una madre regresa a su pueblo natal para arreglar las situaciones que no pudo resolver durante su vida.Después de su muerte, una madre regresa a su pueblo natal para arreglar las situaciones que no pudo resolver durante su vida.
- Nominado para 1 premio Óscar
- 61 premios y 94 nominaciones en total
María Isabel Díaz Lago
- Regina
- (as Mª Isabel Díaz)
María Alfonsa Rosso
- Vecina
- (as Alfonsa Rosso)
Argumento
¿Sabías que...?
- CuriosidadesPenélope Cruz became the first Spanish actress ever to be nominated for Best Lead Actress at the Oscars.
- Pifias(at around 1h 30 mins) When Agustina is talking on the TV show about her mother's vanishing, she says that it happened "hace ya casi cuatro años" ("nearly four years ago"), yet her lips are clearly saying "hace ya casi tres años" ("nearly three years ago").
- ConexionesFeatured in Smagsdommerne: Episodio #4.2 (2006)
- Banda sonoraVolver
Music by Carlos Gardel
Lyrics by Alfredo Le Pera (as Alfredo La Pera)
©1961 by Warner/Chappel Music Argentina
Recorded at Sonoland, Madrid (September 2005)
Performed by Estrella Morente
Produced by Enrique Morente
Guitar by Montoyita
Claps by Bandolero, Negri and Pepe Luis Carmona
Reseña destacada
the town and the city
EPIC COMEDY If we get to forget the delirious and delicious comedy side of the film, we find an epic story of what the second half of the past century was for so many women in Spain. Moving from the town to the city(from La Mancha to Madrid, from great patio houses full of architectural wisdom to terrific social housing apartments in the suburbs of the city), fighting against the elements(fire that burns down like love, wind that drives you crazy, water that used to fill our rivers and now is gone), having bad luck with men as the only possible fate, exercising companionship, imagination, tenderness and shrewdness as their only weapons for surviving. Keeping dignity untouched inside them.
ACTRESSES Pedro Almodovar in this film is like a top ten chef reinventing the most popular dishes of his own culture! The movie is a tasting menu of the greatest playing actresses with the best possible direction. The wild instinct of Penelope to construct a suburban animal, with strong links to Italian mommas, the touching interpretation of Blanca Portillo, simply mind blowing, the master lesson from Chus Lampreave that fills the theater with rivers of affection, the young actress Yohana Cobo that achieves success in some of the most difficult takes in the film, and Lola Dueñas that gets the plainest part and gives it a huge dimension with high level performance for comedy. And Carmen Maura, that stars the story like a Japanese terror movie star, she is like the Obi-Wan Kenobi of La Mancha.
DENSITY AND GRATITUDE So we have an epic story, great actresses, and a refined comedy that fills the spectator with gratitude, at least that is my case. I just have no defense in front of a film like this, that tells me a great story, makes me laugh, and has the highest detail density in objects colors, comments, views, gestures, references, movements and subplots. That is probably the only trouble with it, more than one view is necessary to catch it all, if possible!
ACTRESSES Pedro Almodovar in this film is like a top ten chef reinventing the most popular dishes of his own culture! The movie is a tasting menu of the greatest playing actresses with the best possible direction. The wild instinct of Penelope to construct a suburban animal, with strong links to Italian mommas, the touching interpretation of Blanca Portillo, simply mind blowing, the master lesson from Chus Lampreave that fills the theater with rivers of affection, the young actress Yohana Cobo that achieves success in some of the most difficult takes in the film, and Lola Dueñas that gets the plainest part and gives it a huge dimension with high level performance for comedy. And Carmen Maura, that stars the story like a Japanese terror movie star, she is like the Obi-Wan Kenobi of La Mancha.
DENSITY AND GRATITUDE So we have an epic story, great actresses, and a refined comedy that fills the spectator with gratitude, at least that is my case. I just have no defense in front of a film like this, that tells me a great story, makes me laugh, and has the highest detail density in objects colors, comments, views, gestures, references, movements and subplots. That is probably the only trouble with it, more than one view is necessary to catch it all, if possible!
útil•18587
- jartcrouge
- 20 mar 2006
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- How long is Volver?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- La abuela fantasma
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 7.450.000 € (estimación)
- Recaudación en Estados Unidos y Canadá
- 12.899.867 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 202.000 US$
- 5 nov 2006
- Recaudación en todo el mundo
- 85.605.157 US$
- Duración2 horas 1 minuto
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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