Chris Nielsen dies in an accident, and enters Heaven. But when he discovers that his beloved wife Annie has killed herself out of grief over the loss, he embarks on an afterlife adventure to reunite with her.
Cuba Gooding Jr.,
George, a lonely and fatalistic teen who has made it all the way to his senior year without ever having done a real day of work, is befriended by Sally, a popular but complicated girl who recognizes in him a kindred spirit.
A lonely doctor, who once occupied an unusual lakeside house, begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
While subjected to the horrors of World War II Germany, young Liesel finds solace by stealing books and sharing them with others. In the basement of her home, a Jewish refugee is being protected by her adoptive parents.
Lyla Novacek (Keri Russell) is a cellist studying at the Juilliard School and living under strict rule of her father (William Sadler). Louis Connelly (Jonathan Rhys Meyers) is the lead singer of "The Connelly Brothers", an Irish rock band. Lyla and Louis meet at a party after their respective concerts, and have a sexual encounter on the rooftop. The day after, they separate in a hurry, and are unable to maintain contact as Lyla is ushered away by her father to Chicago. Lyla is also aware that she is pregnant. Later, when in New York City, after an argument with her father over her unborn child, she is struck by a car. Due to the accident trauma, she gives birth prematurely, and her father secretly puts the baby boy up for adoption under her name, allowing Lyla to believe that her son died. Eleven years later, Evan Taylor (Freddie Highmore) is living in a boys' orphanage outside New York City, where he meets Richard Jeffries (Terrence Howard), a social worker with Child and Family ...Written by
An absolutely beautiful story... with a few major problems
"August Rush" is the most magical story I've seen in years. It also has some of the biggest plot holes I've seen in years. But in the end I have to say the magic triumphs, and if you watch this movie you'll probably enjoy it IF you are aware of a few things up front.
First, this must be treated as a fairytale. That is, just as we accept that a big bad wolf can talk and a family of bears can cook porridge, we must make some large allowances for this film if we are to accept it.
I won't go into too much detail what these errors/allowances are (other IMDb members have already compiled quite a list in the goofs section), but if you are a musician, particularly a classically trained one, you'll need some serious suspension of disbelief. The story is predicated on the idea that a young boy is a musical prodigy. That's fine, but this kid is downright supernatural. If you can accept that he can see a guitar for the first time and immediately rock out like Stanley Jordan, then you're OK. If you can accept the notion that he leafs through a 1st grade music book for 10 seconds and immediately knows advanced musical theory (the equivalent of leafing through a basic arithmetic book and suddenly knowing calculus), then you're halfway there. And if you can accept that he has the power to change into a tuxedo faster than Clark Kent can put on his blue tights, then you're gold.
OK, enough cynicism. If you can get past all of that, then "August Rush" is really a wonderful and original story that will charm your pants off. Very loosely based on Charles Dickens' "Oliver Twist", it's the story of an orphan in search of his parents. But this story revolves around the intangible power of music to draw people together. I've never heard of any story that makes such a powerful & moving metaphor for the power of music, and like I said up front, this powerful metaphor was enough for me to lose myself in the fantasy of it all. I probably would've fallen into it more readily if someone had told me to expect a fantasy. But instead I was halfway expecting realism, making much of the movie hard to swallow. Well now you've been warned, so go into it expecting a dreamlike fairytale and just let yourself be swept away by the magic.
A word of admiration for the late, great Robin Williams who plays a very complicated role here: a man who is basically a good guy but prone to inexcusable bouts of selfishness and violence. Not a particularly charming character but a memorable one, played with great skill.
3 of 3 people found this review helpful.
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