A drama centered on the romance between Ernest Hemingway and World War II correspondent Martha Gellhorn, Hemingway's inspiration for For Whom the Bell Tolls, and the only woman who ever asked for a divorce from the writer.
The story of former Hollywood star Grace Kelly's crisis of marriage and identity, during a political dispute between Monaco's Prince Rainier III and France's Charles De Gaulle, and a looming French invasion of Monaco in the early 1960s.
Turning her back on her wealthy, established family, Diane Arbus falls in love with Lionel Sweeney, an enigmatic mentor who introduces Arbus to the marginalized people who help her become one of the most revered photographers of the twentieth century.
Robert Downey Jr.,
A former British Army officer, who was tortured as a prisoner of war at a Japanese labor camp during World War II, discovers that the man responsible for much of his treatment is still alive and sets out to confront him.
It was a romance born out of war...and later torn apart by it. This powerful drama recounts one of the great love stories of the 20th century: the relationship between literary giant Ernest Hemingway and trailblazing war correspondent Martha Gellhorn.Written by
The first scene held between Hemingway and Gellhorn is set in Sloppy Joe's, still an incresibly popular bar and music venue in Key West. Sloppy Joe's has been open since 1933. See more »
The dialog/ captioning makes reference to a roar of a "jet" engine and a jet is seen rapidly flying past in the bombing of Madrid. No jets were around then. They were developed after the Spanish Civil War. See more »
A truly miserable film that trades in posing, overacting and phony' hyperdramatic lines. It is Insipidly researched: a five-minute read of Wikipedia may seem adequate to the badly underdeveloped, but why would they be the audience for a film like this. It is clunkily written, in dialogue and in its scenarios. The film is unfair to Hemingway, reducing him to a loud bully conspicuously and constantly panicked about his manhood and ignoring the balance of his life and personality. It is unfair to dos Passos, portraying one who saw much combat and who was regularly passed over for literary prizes because of his conviction. making him appear to be a weak and feckless hanger-on. It is also unfair to Gellhorn, who was a truly great war correspondent.
The actor Clive Owen is quite an unfortunate choice to play Hemingway. Owen never sounds appropriate.
The film's author seems to have a grudge against Hemingway, too.
This seems aimed at no one past a high school freshman level. In fact, it seems to be written by three or four of them, and directed by the least tasteful of the group.
Is American movie-making deliberately getting dumber or are such movies just negligent.
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