PUNTUACIÓN EN IMDb
6,7/10
24 mil
TU PUNTUACIÓN
Una mirada entre bastidores al programa de radio más celebrado de EEUU.Una mirada entre bastidores al programa de radio más celebrado de EEUU.Una mirada entre bastidores al programa de radio más celebrado de EEUU.
- Premios
- 5 premios y 21 nominaciones
- Dirección
- Guión
- Garrison Keillor(sin acreditar)
- Ken LaZebnik
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que...?
- CuriosidadesFor insurance purposes, and in case 80-year-old director Robert Altman was unable to finish shooting the film, Paul Thomas Anderson was employed as a standby director.
- PifiasWhile Guy Noir sits at his desk, an "On Air" sign, common to radio and TV stations, is lit. In a later scene, the show is still on the air, but the sign is switched off. It should be on whenever a microphone is open in the studio.
- Créditos adicionalesThere is a credit for Sign Painter in the film, although it does not appear on the official site.
- ConexionesFeatured in HBO First Look: The Making of 'A Prairie Home Companion' (2006)
- Banda sonoraBack Country Shuffle
Music by Pat Donohue
Performed by Pat Donohue & Richard A. Dworsky (as Richard Dworsky)
Reseña destacada
An acquired taste, but I think I acquired it before I was born
Altman has created the anti-Hollywood, which I'm sure was not by accident. A true gem.
It's a shame that this was not a more commercially successful vehicle. The ensemble cast is superb, without exception. Garrison Keillor has a face made for radio, but I understand why he has to play himself. Nice baritone, but those are weapons-grade eyebrows.
Altman pokes fun at standard 21st century American movie fare, but mid-20th century radio gets lampooned pretty well too. The eponymous radio show, the state of Minnesota, and mindless belief all takes it in the slats. Even irony itself is not safe from Altman's watchful eye. It's deliciously subtle and, by starts, wonderfully bawdy. Paying attention pays dividends. Doing subtle right takes a lot of work.
One of the sweet surprises is that people you knew could act can also sing: Merryl Streep, Lily Tomlin, Woody Harrelson (not a typo), Lindsey Lohan, and John C. Reilly croon. Where else could they strut such stuff? Underplaying their roles, never stealing a scene, letting the well-written script be the star. Kevin Kline was never better, not even in "Wanda". Al Gore's old roommate is heartlessly evil.
I'm glad I watched it alone because I felt free to laugh out loud. That would have been out of character with the movie.
It's unlikely you would only like this movie. You'll love it or run the other way. I didn't want it to end.
Don't look for a sequel.
It's a shame that this was not a more commercially successful vehicle. The ensemble cast is superb, without exception. Garrison Keillor has a face made for radio, but I understand why he has to play himself. Nice baritone, but those are weapons-grade eyebrows.
Altman pokes fun at standard 21st century American movie fare, but mid-20th century radio gets lampooned pretty well too. The eponymous radio show, the state of Minnesota, and mindless belief all takes it in the slats. Even irony itself is not safe from Altman's watchful eye. It's deliciously subtle and, by starts, wonderfully bawdy. Paying attention pays dividends. Doing subtle right takes a lot of work.
One of the sweet surprises is that people you knew could act can also sing: Merryl Streep, Lily Tomlin, Woody Harrelson (not a typo), Lindsey Lohan, and John C. Reilly croon. Where else could they strut such stuff? Underplaying their roles, never stealing a scene, letting the well-written script be the star. Kevin Kline was never better, not even in "Wanda". Al Gore's old roommate is heartlessly evil.
I'm glad I watched it alone because I felt free to laugh out loud. That would have been out of character with the movie.
It's unlikely you would only like this movie. You'll love it or run the other way. I didn't want it to end.
Don't look for a sequel.
útil•368
- bbrown8870
- 9 nov 2006
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- L'últim xou
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 10.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 20.342.852 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 4.566.293 US$
- 11 jun 2006
- Recaudación en todo el mundo
- 25.986.497 US$
- Duración1 hora 45 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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What is the French language plot outline for El último show (2006)?
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