Plot

A Lou Reed concert at the Bottom Line in New York City, 1983.

Lou Reed was by this time a shell of his former subversive Velvet Underground and early solo self, and the band is a slightly more standard rock band. However, the interplay between Quine and Reed recalls Quine's Voidoids work and of course Reed and Sterling Morrison play off each other in spectacular fashion, which is probably best heard on the Live Matrix Tapes boxset. Lou Reed delivers a set that is a mixture of his Velvet Underground standards, such as "Sweet Jane," "I'm Waiting for the Man," "Rock and Roll," "White Light/White Heat" and solo hits like "Walk on the Wild Side" and "Satellite of Love." "Walk on the Wild Side" recently was embroiled in an absolutely insane controversy when it was played at the University of Guelph student union. It was considered "transphobic" by some "activist" students, when it's the complete opposite - Reed was dating a transgender woman at the time of the song, mysteriously only known as Rachel.—Psychotronic Cinema

A Lou Reed concert at the Bottom Line in New York City, 1983. Tracklist: Sweet Jane, I'm Waiting For The Man, Martial Law, Don't Talk To Me About Work, Women, Waves of Fear, Walk on the Wild Side, Turn Out the Lights, New Age, Kill Your Sons, Satellite of Love, White Light / White Heat, Rock And Roll.—Umberto Baccolo