Movies that catch so immediately your eyes and your heart are so rare! From the very first moments you feel like you're entering an intimate auto-documentary, and even if you quickly understand that's fictitious, the tone is given : one can detect it's kind of real-life, genuine, human ! The granule of digital video symbolically takes us inside the main character, who is painting his own portrait himself in a simple neo-romantic narration. Of course, while he's speaking to Sundra, Julián is speaking to us so that it's even easier for us to be caught up in his life. Strangely the film never falls into voyeurism, even during the few quite erotic sequences. It's intimate but also really prudish and sincere: so far away from TV reality shows!
The feeling of authenticity is strengthened by a not inconsiderable part of improvisation palpable and well done that tends to compare the movie with John Cassavetes's work. « It's for you ! » also seems to be a successful hybrid of theatre and cinema, a heir of a less pretentious and less eccentric underground cinema, and a declaration of love to so many things ! Bruno Lázaro Pacheco seems to enjoy an alternation of rhythms, laughs, tears and sometimes a kind of contemplation with nearly abstract and purely aesthetic shots: plane tracks in the sky, graffiti
The main virtuosity of this movie is its use of digital video. Unlike lots of films, it isn't only about saving money here. The digital media and the filming process are directly included in the narration, giving the director and the audience a character status. And let's not forget the aesthetic potential of video that Bruno Lázaro Pacheco use with magnificence ! A proof that we can make great cinema without film! A movie that would deserve to be a lot less confidential! 10/10
The feeling of authenticity is strengthened by a not inconsiderable part of improvisation palpable and well done that tends to compare the movie with John Cassavetes's work. « It's for you ! » also seems to be a successful hybrid of theatre and cinema, a heir of a less pretentious and less eccentric underground cinema, and a declaration of love to so many things ! Bruno Lázaro Pacheco seems to enjoy an alternation of rhythms, laughs, tears and sometimes a kind of contemplation with nearly abstract and purely aesthetic shots: plane tracks in the sky, graffiti
The main virtuosity of this movie is its use of digital video. Unlike lots of films, it isn't only about saving money here. The digital media and the filming process are directly included in the narration, giving the director and the audience a character status. And let's not forget the aesthetic potential of video that Bruno Lázaro Pacheco use with magnificence ! A proof that we can make great cinema without film! A movie that would deserve to be a lot less confidential! 10/10
