A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
Three stories - one each from the past, present, and future - about men in pursuit of eternity with their love. A conquistador in Mayan country searches for the tree of life to free his captive queen; a medical researcher, working with various trees, looks for a cure that will save his dying wife; a space traveler, traveling with an aged tree encapsulated within a bubble, moves toward a dying star that's wrapped in a nebula; he seeks eternity with his love. The stories intersect and parallel; the quests fail and succeed.Written by
The film takes place in the 16th century, in 2005, and in 2500. See more »
The map used by the conquistadors to find the Tree of Life is erroneous. The priest says the three points which form an equilateral triangle on the map are Chichen Itza, Yaxchilan, and Tikal. However in reality, the three Mayan sites form an obtuse triangle, with Chichen Itza being the northern-most and the eastern-most point. See more »
The movie ends with a white out, which represents the Big Bang or creation of the Universe. Following that, the white areas behind the credits condense, which correlates with the condensation of matter and ultimate large scale structure of the universe. These devolve to a black screen, the early "opaque" stage of the universe, when early particles were forming. From this, stars begin to form, one by one until the credits end with a universe full of stars and the story of our universe to the present, told behind the credits. See more »
Was originally rated R by the MPAA for "some violence" but was later edited down to a PG-13 rating for "some intense sequences of violent action, some sensuality and language." See more »
I do not know how to sum this movie up in this review, and to try to would be an injustice to Darren Aronofsky's genius. So I will just state the facts. I saw this film at the Chicago International Film Festival. I was blown away. This movie is so original and so breath taking. There is only one word that I can use to describe it: BEAUTIFUL. Darren Aronofsky is a genius and the greatest film-maker of our time. He is a visionary, and one of the greatest script writers. Hugh Jackman's performance ranks among the greatest male screen performances in cinema history. Rachel Weisv is amazing, as is Ellen Burnstyn, and Sean Patrick Thomas. Clint Mansell teams up with The Kronos Quartet and the Scottish rock band Mogwai to bring us some of the most beautiful and epic music I have ever heard. Matthew Libatique's cinematography is breath taking. It is so simple, yet so effective and so amazing. Jay Robinowitz deserves special mention here because the movie is so well put together it flows, and as an editor myself, I can understand how hard that must have been. The three time lines weave in and out of each other flawlessly. This movie is so good I need to see it again in order to catch all of it, but this taste will be enough to sustain me for another month, when I will surely see it four or five times. This movie is about themes bigger than you can possibly imagine, and it will take some thinking, and it is genius. In my opinion, the best movie I have ever seen.
323 of 488 people found this review helpful.
Was this review helpful to you?
| Report this