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The Fountain (2006)

PG-13 | | Drama, Sci-Fi | 22 November 2006 (USA)
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As a modern-day scientist, Tommy is struggling with mortality, desperately searching for the medical breakthrough that will save the life of his cancer-stricken wife, Izzi.

Director:

Darren Aronofsky

Writers:

Darren Aronofsky (screenplay), Darren Aronofsky (story) | 1 more credit »
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Popularity
2,216 ( 186)
Nominated for 1 Golden Globe. Another 9 wins & 34 nominations. See more awards »

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Cast

Cast overview, first billed only:
Hugh Jackman ... Tomas / Tommy / Tom Creo
Rachel Weisz ... Isabel Creo
Ellen Burstyn ... Dr. Lillian Guzetti
Mark Margolis ... Father Avila
Stephen McHattie ... Grand Inquisitor Silecio
Fernando Hernandez Fernando Hernandez ... Lord of Xibalba
Cliff Curtis ... Captain Ariel
Sean Patrick Thomas ... Antonio
Donna Murphy ... Betty
Ethan Suplee ... Manny
Richard McMillan Richard McMillan ... Henry
Lorne Brass Lorne Brass ... Dr. Alan Lipper
Abraham Aronofsky ... Lab Technician
Renee Asofsky Renee Asofsky ... Lab Technician
Anish Majumdar Anish Majumdar ... Dr. Spencer
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Storyline

Three stories - one each from the past, present, and future - about men in pursuit of eternity with their love. A conquistador in Mayan country searches for the tree of life to free his captive queen; a medical researcher, working with various trees, looks for a cure that will save his dying wife; a space traveler, traveling with an aged tree encapsulated within a bubble, moves toward a dying star that's wrapped in a nebula; he seeks eternity with his love. The stories intersect and parallel; the quests fail and succeed. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Death frees every soul. See more »

Genres:

Drama | Sci-Fi

Motion Picture Rating (MPAA)

Rated PG-13 for some intense sequences of violent action, some sensuality and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Canada | USA

Language:

English | Maya

Release Date:

22 November 2006 (USA) See more »

Also Known As:

The Last Man See more »

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Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend USA:

$3,768,702, 24 November 2006, Wide Release

Gross USA:

$15,978,422, 8 February 2007
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Instead of using CGI, Darren Aronofsky chose to do the visual effects for the film by using micro-photography of chemical reactions on tiny petri dishes. He has said that CGI would take away from the timelessness of the film, and that he wants the film to stand the test of time. See more »

Goofs

There was no 'Kingdom of Spain' in the 16th century. Isabella of Castile created a dynastic union by Ferdinand of Aragon. It did not become a coherent single kingdom till much later. See more »

Quotes

[first lines]
Tomas Verde: Let us finish it.
See more »

Crazy Credits

The movie ends with a white out, which represents the Big Bang or creation of the Universe. Following that, the white areas behind the credits condense, which correlates with the condensation of matter and ultimate large scale structure of the universe. These devolve to a black screen, the early "opaque" stage of the universe, when early particles were forming. From this, stars begin to form, one by one until the credits end with a universe full of stars and the story of our universe to the present, told behind the credits. See more »

Alternate Versions

Was originally rated R by the MPAA for "some violence" but was later edited down to a PG-13 rating for "some intense sequences of violent action, some sensuality and language." See more »

Connections

Referenced in The Noah Movie Deception (2014) See more »

Frequently Asked Questions

See more »

User Reviews

 
Death is the Road to Awe
15 October 2007 | by MConley7See all my reviews

This is not a film for any one public. Americans, often ignorant of philosophy and mythology (by and large) would stumble awkwardly through much of the film, wondering what the hell is going on. Others still would prefer to call the film pretentious and drenched in metaphysical bull----. Woe it is to the archetypes. No one knows how to reach the elemental, the archetypal arena of human experience anymore; a fact proved by so many other reviewers penchant for searching for the "realism" within the movie. (cf. Roger Ebert's review; this is a thoroughly stupid and ignorant way of viewing such a film...it seems that the Divine Comedy would be cast aside today, because Dante does not describe Paradise in a "realistic" fashion. Which of course is worse than nonsense...its f---ing stupid.)

The problem many people have with this film is that they see it as a story about two people, and not two archetypes that are elemental within human mythology (first man and first woman). It is interesting to note how Jackman becomes Western man (furious and daring, he hopes to reach beyond nature, to become a 'superman,' while not understanding that he is not simply a product of nature but very much a PART of nature) and Weisz becomes the embodiement of Eastern thought (her submission to the truth of nature (death) is not a submission, but an understanding of the tide of life, an understanding Tom, in all his embodiements, does not possess). I see a purity in the representation of first man and first woman, a purity that allows me to see the characters as archetypes that resemble the spiritual forces that have driven us for our eternity.

Ebert said that it is a standard critical practice not to create a fiction that was not implicit within the film; but with a film like The Fountain, there are so many interpretations and meanings...deep thoughts linger in me while I watch, an ocean of experiences that dwells inside me, calm and enveloping. Interpretaions can, in their own rights, be works of art, if what they interpret, in itself, is beautiful. I will not pretend that my interpretation is right, complete, or a work of art; but what I have seen and felt from this film has filled me with something I cannot describe--if the definition was not insufficient, I would call it God--yet so many pass by it with scorn and rolling eyes. I hope some will see in it what I have felt pass through so many times...or at least to understand, at the very least, that just because a movie doesn't touch you, it does not mean that your perception of the movie is, in itself, truth; it is merely an opinion like mine. On art there is no truth, except the pieces we craft ourselves.


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