Directed by
| Madeleine Farley | ||
Writing Credits (in alphabetical order)
| Madeleine Farley | ... | (writer) |
Cast (in credits order)
Produced by
| Philip Moross | ... | producer |
| Nick Nahum | ... | executive producer |
| Simon White | ... | producer |
Music by
| Jess Bailey | ||
Cinematography by
| Robert Bennett | ||
Editing by
| Helen Lindley | ||
Production Management
| Gisela Evert | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Michele De Lorimier | ... | assistant director |
Sound Department
| Pollyanna Camille | ... | second assistant sound mixer |
| Michael Carter | ... | re-recording mixer (as Michael A. Carter) |
| Dan Devaney | ... | sound |
| Jerome O'Donohoe | ... | dubbing editor |
| Tony Smyles | ... | location sound |
| Richard Welsh | ... | dolby sound consultant |
Visual Effects by
| Simon Burley | ... | software and technical |
| Katja Hollmann | ... | digital lab supervisor: Lipsync Post |
Camera and Electrical Department
| Scott Goulding | ... | film recorder operator |
| Sacha Riviere | ... | additional camera operator / first assistant camera |
| Chris Thornton | ... | film recorder operator |
Editorial Department
| Kevin Dobson | ... | high definition color grader |
| Lisa Jordan | ... | facility director: LipSync Post |
| Bronwen Loftus | ... | assistant post-production |
| Kevin Phelan | ... | head of post-production |
Music Department
| Arnold Hattingh | ... | assistant music supervisor |
| Simon White | ... | music supervisor |
Additional Crew
| My Alehammar | ... | runner |
| Kevin Dobson | ... | high definition compositor |
| Libby Hollingsworth | ... | production coordinator |
| Thom Paisley | ... | runner/assistant (as Thomas Paisley) |
| Mark Popple | ... | runner/assistant |
| Gareth Tansey | ... | title designer |
| Rick White | ... | high definition machine operators |
| Tina Winters | ... | production coordinator |
