Reeves's remarkable skills for expressive cinematography grant this grim tale a stark beauty bereft of sentimentality.
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Chicago Reader
Chicago Reader
Reeves's film is distinguished by its formal rigor--she makes beautiful use of an array of avant-garde techniques, including overexposed footage and an elliptical voice-over.
The Time We Killed reps avant-garde vet Jennifer Todd Reeves' most ambitious work yet, a dense-packed feature-length black-and-white journey into a beautifully restless mind.