A Dona da História (2004)
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- 1h 24min
- Comedy, Drama
- 01 Oct 2004 (Brazil)
- Movie
A 50 year-old woman who analyses her past. She pictures herself when she was 20 years old and she re-creates the story of her life through a game of innumerous possibilities... What if she wouldn't have gone to that ball? What if......
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Director:
Writers:
Awards:
- 3 wins & 19 nominations.
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Photos and Videos
Cast
| Marieta Severo | ... |
Carolina
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| Débora Falabella | ... |
Young Carolina
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| Antônio Fagundes | ... |
Luiz Cláudio
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| Rodrigo Santoro | ... |
Young Luiz Cláudio
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| Rest of cast listed alphabetically: | |||
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Paulo Barbosa | ... |
Fellow #3
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Dedina Bernardelli | ... |
Woman 1 / Couple 2
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Gabriel Braga Nunes |
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Clovis Bueno | ... |
Fellow #2
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Bianca Byington | ... |
Woman 2 / Couple 2
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| Daniel de Oliveira | ... |
Paulinho Oliveira
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Antônio Fragoso | ... |
Husband / Couple 1
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Manoel Francisco | ... |
Ballet's Professor
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Ana Furtado | ... |
Wife / Couple 1
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| Giulia Gam | ... |
Carolina's Mother
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Gil Hernandez | ... |
Cristiano / Soapopera
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| Fernanda Lima | ... |
Maria Helena
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Carlos Loffler | ... |
Chamberman
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Marcos Oliveira | ... |
Nicolau
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| Henri Pagnoncelli | ... |
50 years old man
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Charles Paraventi | ... |
Fellow #1
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Rodrigo Penna | ... |
Young Nicolau
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José Carlos Pieri | ... |
General Telles
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| Herbert Richers Jr. | ... |
Interviewer
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| Renata Sorrah | ... |
Maria Helena / Vivian Maia
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Ignes Vianna | ... |
Actress
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| Jô Soares | ... |
Self (uncredited) (archiveFootage)
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Directed by
| Daniel Filho | ||
Written by
| João Emanuel Carneiro | ... | () |
| João Falcão | ... | (play) |
| Daniel Filho | ... | () |
| Tatiana Maciel | ... | (contributing writer) |
Produced by
| Claudia Bejarano | ... | assistant executive producer |
| Caíque Martins Ferreira | ... | executive producer |
| Daniel Filho | ... | producer |
| Carlos Eduardo Rodrigues | ... | associate producer |
Music by
| Chico Buarque | ... | (as Chico Buarque de Hollanda) |
| D.J. Memê | ||
Cinematography by
| José Roberto Eliezer | ||
Editing by
| Felipe Lacerda | ||
Editorial Department
| Aruanã Cavalleiro | ... | assistant editor |
| Gigio Pelosi | ... | colorist |
Casting By
| Ruy Brito | ||
Art Direction by
| Clovis Bueno | ||
Costume Design by
| Bia Salgado | ||
Makeup Department
| Claudia Cruz | ... | hair stylist |
| Lu de Moraes | ... | makeup artist |
Production Management
| Valeria Costa Amorim | ... | production manager |
| Mariangela Furtado | ... | production supervisor |
| Ade Muri | ... | post-production manager |
| Sylvia Ramos | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Tatiana Fragoso | ... | second assistant director |
| César Rodrigues | ... | first assistant director |
| Rafael Salgado | ... | first assistant director |
Art Department
| João Bueno | ... | assistant art director |
| Marcus Figueiroa | ... | assistant art director |
| Joana Mureb | ... | set dresser |
| Bia Pessoa | ... | art painter |
Sound Department
| Miriam Biderman | ... | supervising sound editor |
| Ana Chiarini | ... | dialogue editor |
| Marcel Costa | ... | boom operator |
| Zezé d'Alice | ... | sound mixer / sound |
| Fernando Henna | ... | sound effects editor |
| David Miranda-Hardy | ... | sound mixer (as David Miranda) |
| Mauricio Pascuet Pregnolatto | ... | foley artist (as Maurício Pascuet) |
| Daniel Turini | ... | sound effects editor |
Visual Effects by
| Emerson Bonadias | ... | visual effects artist |
| Vanessa Mariano | ... | visual effects |
| Renato Merlino | ... | visual effects artist |
| Ailton Piuí | ... | digital compositor |
| Eduardo Sallas | ... | lead digital compositor |
| Thiago Sassioto | ... | digital intermediate conform editor: film recording |
| Marcelo Siqueira | ... | visual effects supervisor |
| Lilian Stock Bonzi | ... | digital effects artist |
| Karina Vanes | ... | post production assistant |
| Von Victor | ... | digital artist: rotoscope artist and compositor |
| Ariel Wollinger | ... | digital compositor / film recording supervisor / visual effects coordinator |
Camera and Electrical Department
| Paulo Brakarz | ... | gaffer (as Paulo Souza) |
| Silvia Gangemi | ... | assistant camera |
| Júlio Guimarães | ... | key grip |
| Tiago Rivaldo | ... | video operator |
| Neto Valesi | ... | best boy grip |
Costume and Wardrobe Department
| Pilar Salgado | ... | assistant costume designer |
Location Management
| Flavia Santos | ... | location manager |
Music Department
| Antonio Carlos Jobim | ... | composer: song "Chovendo na Roseira" |
Additional Crew
| Edu Pacheco | ... | set manager |
Production Companies
- Lereby Productions
- Globo Filmes (co-production)
Distributors
- Buena Vista International (2004) (Brazil) (theatrical)
- Buena Vista International (2004) (Brazil) (theatrical)
- Buena Vista International (2005) (Argentina) (theatrical)
- Gativideo (2006) (Argentina) (DVD)
- Gativideo (2006) (Argentina) (VHS)
Special Effects
Other Companies
Storyline
| Plot Summary |
A 50 year-old woman who analyses her past. She pictures herself when she was 20 years old and she re-creates the story of her life through a game of innumerous possibilities... What if she wouldn't have gone to that ball? What if... instead of meeting the man of her life, with whom she married and had kids, she would have called a girlfriend and they went to the theater? What would be her destiny? What would have happened? In the plot the present talks to the past. A young woman projects her future in a fascinating game between memories and desires. Written by Daniel Filho |
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Additional Details
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Box Office
| Opening Weekend Brazil | $744,467, 01 Oct 2004 |
Did You Know?
| Trivia | A poster Carandiru (2003), which Rodrigo Santoro also starred, can be seen. See more » |
| Goofs | The movie is set on the present day (2003/2004), and if the young Carolina is supposed to be 30 years younger than her mature self she would be living in 1973/1974. Instead, her younger self is clearly living in the 1960's, judging from the dresses she wears, the hair-style she uses and the historical events surrounding the story. The filmmakers were probably aware of this, but chose the 1960s because it's widely considered a far more interesting period in Brazilian history than the 1970s. See more » |
| Movie Connections | Features Programa do Jô (2000). See more » |
| Soundtracks | Chovendo na Roseira See more » |