Dopo aver messo insieme un altro flop a Broadway, il produttore sfortunato Max Bialystock, si allea con il timido contabile Leo Bloom in uno schema per arricchirsi rapidamente mettendo in sc... Leggi tuttoDopo aver messo insieme un altro flop a Broadway, il produttore sfortunato Max Bialystock, si allea con il timido contabile Leo Bloom in uno schema per arricchirsi rapidamente mettendo in scena il peggior spettacolo del mondo.Dopo aver messo insieme un altro flop a Broadway, il produttore sfortunato Max Bialystock, si allea con il timido contabile Leo Bloom in uno schema per arricchirsi rapidamente mettendo in scena il peggior spettacolo del mondo.
- Premi
- 1 vittoria e 17 candidature
- Regia
- Sceneggiatura
- Mel Brooks(1968 screenplay) (2001 stage play book) (2001 stage play lyrics)
- Thomas Meehan(2001 stage play book)
- Tutti gli interpreti e le troupe
- Produzione, botteghino e altro su IMDbPro
Trama
Lo sapevi?
- QuizAfter Max (Nathan Lane) and Leo (Matthew Broderick) do Der Guten Tag Hop Clop with Franz (Will Ferrell), Max tries to pull open the door. When it doesn't open, he shouts, "We're trapped!" This is an inside joke from the play's run in England. One night, a stage hand had locked the door. When Nathan Lane tried it, he realized it was locked and shouted out, "We're trapped! Trapped like rats with a crazy Nazi!" A stage hand then went up and unlocked the door and they got out.
- BlooperThe older male dancer who says "Don't be stupid, be a schmarty..." is speaking with Mel Brooks' voice on his first appearance. The next time he is heard delivering a line, he has a completely different, deep voice. However, this is deliberate: the character also lip syncs to Mel Brooks' recorded voice in the stage production.
- Citazioni
Max Bialystock: We got the wrong play, the wrong director, the wrong cast. Where did we go right?
- Curiosità sui creditiFor the closing credits, Will Ferrell (in the character of Franz Liebkind) recorded "The Hop-Clop Goes On" - a slower version of "Der Guten Tag Hop-Clop" that parodies "My Heart Will Go On" from "Titanic" right down to the cheesy instrumentals. At the end of the song, Franz whispers to the audience: "Don't forget to purchase 'Mein Kampf' in paperback. You can find it at Borders... or Barnes and Noble...und Amazon.com"
- ConnessioniFeatured in HBO First Look: The Producers (2005)
- Colonne sonoreThere's Nothing Like a Show on Broadway
Music and Lyrics by Mel Brooks
Performed by Nathan Lane and Matthew Broderick
I don't think the critics know what they are talking about. This movie rocked! It took me back to the old days of movie musicals. You know, the Bugsby Berkley years, big and flashy with hum able songs. Based on the 1968 film starring Zero Maestel and Gene Wilder, and the smash hit on Broadway, the story of a failing Producer named Max Bialystock who has just had the worst show in town close called Funny Boy, a musical version of Hamlet. Distraught he runs into accountant Leo Bloom who comes up with the notion that you can make more money with a flop than with a hit. Max overjoyed to hear such wonderful news lays it all out. Step 1. They find the worst play ever written, the "mother lode" as Max calls it when he comes across Springtime for Hitler, written by neo-nazi Franz Liebkind. Step 2. Hire the worst director, a prime and proper gay man named Roger Debris who wants to keep everything gay! Step 3. Raise 2 million dollars from Max's backers: harmless little old ladies looking for a last roll in the hay. Step 4 Open on Broadway and before you can say step 5 they close and run off to Rio. All goes well until Springtime for Hitler becomes a success leaving Leo and Max in the dust.
People have been comparing it to the original, which sure it has some of the same lines, and the story is the same, but both shows have something different to offer. You get songs in this version that you don't get in the original. Nathan Lane tears up the screen and will have you in stitches as Max; his show stopping number "Betrayed" will have you applauding. Matthew Broderick is also very good as Leo who can't grab life by the balls and go. He sings "I Wanna Be A Producer" with such gusto and dances with Ms. Uma Thurman, who is amazing as Ulla, and their dance number has sheds of the old Astaire and Rogers's musicals of the 30s.
Also excellent, are Will Farrell as the Nazi who speaks to his birds and Gary Beach and Roger Bart as Roger De Bris and Carmen Ghia they gay "couple" who want to put Springtime for Hitler on the stage, both stand out in the cast, and both played the roles on Broadway. Other familiar faces you will see are Jon Lovitz as Leo's accounting firms boss, Michael McKean as one of the prisoners and Richard Kind as the Jury Foreman who took over in the Nathan Lane role on the stage.
Susan Stroman doesn't make the camera cuts flashy, they are simple, which makes it more enjoyable to watch the dance numbers, from the opening number to the hilarious "Along Came Bialy" when the old ladies do a dance break with walkers, to "Keep it Gay" to the uproarious Springtime for Hitler number. The best-staged number was probably "I Wanna Be A Producer" as it has shades from the 30s mixed with modern day. It was wonderful! If you listen to some critics who choose to say "this film show inexperience" or "not as good as the original" you are missing a terrific movie musical that is just as good as Chicago! Plus Mel Brooks was also standing there at the helm with Ms. Stroman. Be advised to stay until the very end of the credits to view something special! Bravo!
- bschneid76
- 28 dic 2005
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- The Producers
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 45.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 19.398.532 USD
- Fine settimana di apertura Stati Uniti e Canada
- 154.590 USD
- 18 dic 2005
- Lordo in tutto il mondo
- 38.075.318 USD
- Tempo di esecuzione2 ore 14 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
- 2.35 : 1