For his final assignment, a top temporal agent must pursue the one criminal that has eluded him throughout time. The chase turns into a unique, surprising and mind-bending exploration of love, fate, identity and time travel taboos.
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
Engineers Aaron, Abe, Robert and Phillip are working on an invention, the prototype being built in Aaron's garage. This project is beyond their day jobs. The project truly does belong to Aaron and Abe, as they use all their free time working on it, primarily trying to overcome the many engineering related problems they've encountered. It is during one of his tests with the invention running that Abe discovers that a protein inside the main unit has multiplied much more rapidly than it could in nature. Rather than the invention being a protein super incubator, Abe, using himself as a guinea pig, and a very meticulous one at that, discovers that the invention can be used as a time machine. In his self experiment, Abe was especially careful not to interfere with his own self in that time warp. Abe passes along this discovery to Aaron, who he expects will tell his wife Kara in what is the sanctity of their marriage, but he doesn't want to tell either Robert or Phillip. Much to Abe's ...Written by
Rian Johnson, director of Looper (2012), mentions in the "Directors Commentary" that not only is Primer the best time travel movie ever made but that when he sent the script for Looper to his friend Shane Carruth, Carruth told him all his time travel was wrong. See more »
Aaron could not have set up his fail safe without either telling Abe or Abe dying when trying to use the first box. For Aaron's fail safe to go back further than the first box Abe ever set up, he would have had to shut down and restart Abe's box after setting his own up in the separate storage unit. That means if Abe had tried to go back without knowing, he would have stayed in the box longer than it had been on so he would be getting out on the box's trip back to the B end. Even if this had not killed him, he would have noticed the time discrepancy. See more »
[Sound of a phone ringing. Aaron, voiceover:]
Here's what's going to happen. I'm gonna read this, and you're gonna listen, and you're gonna stay on the line. And you're not gonna interrupt, and you're not gonna speak for any reason. Some of this you know. I'm gonna start at the top of the page.
Meticulous, yes. Methodical, educated; they were these things. Nothing extreme. Like anyone, they varied. There were days of mistakes and laziness and in-fighting, and there were days,...
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Thanks to Scott Douglass for having the faith to invest in the final stages of marketing and post production See more »
I don't mind a movie that doesn't spend a lot of money on itself. But this piece of "I'm a movie maker, you're too stupid to understand it" should never have made it even to DVD. After 10 minutes of trying to understand what the wooden non-actors were saying, I decided that it would be better not to suffer any more. Maybe the writer, actor, director was satisfied with his output. But it might be better for the film industry if he decided to do something more in keeping with his ability. And judged by his efforts in this film, he really doesn't have any. Don't be fooled by "This is an amateur film made on a shoe-string budget." It is a bore and definitely not worth watching.
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