Neuf ans après leur première rencontre, Jesse et Céline se retrouvent à nouveau lors de la tournée française du livre de Jesse.Neuf ans après leur première rencontre, Jesse et Céline se retrouvent à nouveau lors de la tournée française du livre de Jesse.Neuf ans après leur première rencontre, Jesse et Céline se retrouvent à nouveau lors de la tournée française du livre de Jesse.
- Nommé pour 1 oscar
- 9 victoires et 32 nominations au total
Histoire
Le saviez-vous
- AnecdotesIn the movie, Jesse (Ethan Hawke) confesses to Celine (Julie Delpy) that he wrote a book about their meeting 9 years before, partially in the hope that she would read it and re-establish contact with him. Like Avant l'aube tout est possible (1995), this is based on events in director Richard Linklater's own life. He had once spent a night walking and talking around Philadelphia with a woman called Amy in 1989. Though they initially stayed in touch over the telephone, they lost contact eventually. In 1994, Linklater shot Avant l'aube tout est possible (1995), based on his night with Amy. Like Jesse in "Before Sunset", Linklater was secretly hoping that Amy had heard of the movie, and would show up at the premiere, but she did not. When "Before Sunset" was released, she did not show up either. It wasn't until 2010, before Linklater started production on the second sequel, Avant minuit tout est possible (2013), that a friend of Amy, who knew about their story, contacted Linklater to tell him that Amy had died in a motorcycle accident on May 9, 1994, at the age of 24, a few weeks before he started shooting Avant l'aube tout est possible (1995).
- GaffesWhile walking in a park, an extra passes Jesse and Celine. When the camera angle moves to their front, he passes about 10 seconds later.
Commentaire en vedette
Wow! Satisfying at so many levels
I had not seen the prequel to this although my date had and she filled me in on many details. While the experience of this film would be enriched by having seen the preceding film first, it certainly stands satisfactorily alone.
In many ways, this reminded me very much of one of my most favorite movies of all time, "My Dinner with André," in which just 2 characters talking comprised the whole movie. In that movie, the friends had been close, drifted apart, and then had a brief reunion at a dinner at which they caught up with what the other had been doing. The two principals, André Gregory and Wallace Shawn, played themselves and each represented one side of a dialectic, say the side of romanticism vs. a conventional reality. "Before Sunset" is parallel in many ways.
At one level we have a romantic story -- two people who'd briefly been lovers nine years before and lost touch meet again. They spend an afternoon together. Will they try to fulfill what they'd started?
At another level, we have the charm of conversation and exploration, of reminiscing, of gradually feeling out and discovery of how much do I have in common with this person now? -- where has this person been? -- what are they capable of now? -- how much freedom of choice do I have, does this other person have -- to make decisions? Etc.
While Celine and Jesse have a capacity for relating and talking, they also have somewhat opposite ways of viewing the world and relationships -- Celine is more cynical and reserved; Jesse is more open to settling for the "not-perfect-but-good-enough."
There are possibly a few people who have not had the personal experiences that at least somewhat relate to the premise in this film -- a relationship in which one wonders, "what would have happened if I'd pursued that relation?" but probably most people have. And the other dilemma, of meeting again that someone but by now being involved in relationships of responsibility -- my family, my children, my present life. What would it do to them if I were to pursue my own happiness at the expense of them? Can I do that? Can I value the chance of my own happiness above theirs? Etc.
The film, fortunately, gives us no answers to these essential questions but it does pose them in a way that makes us consider them.
Delpy and Hawke are given screenwriter credits and I feel sure that they must've contributed a great deal to the feeling of seamless, natural dialogue.
GREAT movie. No movie satisfies everyone, of course, but at the time I wrote this, slightly over 50% of the voters gave it a 10/10. For those of us in that group, it's a great film.
In many ways, this reminded me very much of one of my most favorite movies of all time, "My Dinner with André," in which just 2 characters talking comprised the whole movie. In that movie, the friends had been close, drifted apart, and then had a brief reunion at a dinner at which they caught up with what the other had been doing. The two principals, André Gregory and Wallace Shawn, played themselves and each represented one side of a dialectic, say the side of romanticism vs. a conventional reality. "Before Sunset" is parallel in many ways.
At one level we have a romantic story -- two people who'd briefly been lovers nine years before and lost touch meet again. They spend an afternoon together. Will they try to fulfill what they'd started?
At another level, we have the charm of conversation and exploration, of reminiscing, of gradually feeling out and discovery of how much do I have in common with this person now? -- where has this person been? -- what are they capable of now? -- how much freedom of choice do I have, does this other person have -- to make decisions? Etc.
While Celine and Jesse have a capacity for relating and talking, they also have somewhat opposite ways of viewing the world and relationships -- Celine is more cynical and reserved; Jesse is more open to settling for the "not-perfect-but-good-enough."
There are possibly a few people who have not had the personal experiences that at least somewhat relate to the premise in this film -- a relationship in which one wonders, "what would have happened if I'd pursued that relation?" but probably most people have. And the other dilemma, of meeting again that someone but by now being involved in relationships of responsibility -- my family, my children, my present life. What would it do to them if I were to pursue my own happiness at the expense of them? Can I do that? Can I value the chance of my own happiness above theirs? Etc.
The film, fortunately, gives us no answers to these essential questions but it does pose them in a way that makes us consider them.
Delpy and Hawke are given screenwriter credits and I feel sure that they must've contributed a great deal to the feeling of seamless, natural dialogue.
GREAT movie. No movie satisfies everyone, of course, but at the time I wrote this, slightly over 50% of the voters gave it a 10/10. For those of us in that group, it's a great film.
utile•14923
- Bob Pr.
- 14 août 2004
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Détails
Box-office
- Budget
- 2 700 000 $ US (estimation)
- Brut – États-Unis et Canada
- 5 820 649 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 219 425 $ US
- 4 juill. 2004
- Brut – à l'échelle mondiale
- 15 854 926 $ US
- Durée1 heure 20 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Avant la nuit tout est possible (2004) officially released in Japan in Japanese?
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