What is peace? What is coexistence? And what are the basis for them? PEACE is a visual-essay-like observational documentary, which contemplates these questions by observing the daily lives ... See full summary »
Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and ... See full summary »
The movie centers around Brindsley Forde's character blue. He fronts a reggae sound system based in west London. The movie captures the trials and tribulations of young black youths in troubled London in the early eighties.
David N. Haynes,
Victor Romero Evans
Of the cities in the world, few are depicted in and mythologized more in film and television than the city of Los Angeles. In this documentary, Thom Andersen examines in detail the ways the city has been depicted, both when it is meant to be anonymous and when itself is the focus. Along the way, he illustrates his concerns of how the real city and its people are misrepresented and distorted through the prism of popular film culture. Furthermore, he also chronicles the real stories of the city's modern history behind the notorious accounts of the great conspiracies that ravaged his city that reveal a more open and yet darker past than the casual viewer would suspect.Written by
Kenneth Chisholm (firstname.lastname@example.org)
Trenchant and epic in size is Thom Andersen's "Los Angeles Plays Itself" a doc that analyzes representation as much as it analyzes representation of Los Angeles itself.
How I adored the narrator's (Encke King) voice! It was at once sardonic and annoyed a reflection of Andersen's emotional regard toward the whole matter, no doubt. What we hear are critical observations of the film clips that we see there are quite literally dozens and dozens of clips here. This may seem disorienting and exhausting (to the interest level) but it's not. So struck with the compelling argument that Andersen presents to us do the hours fly by like minutes (not vice versa as Addison DeWitt said in "All About Eve").
Funny/interesting it is how this doc is set up like a conventional narrative film that Hollywood is guilty of routinely (and cloyingly) pushing on to the consumer - first we laugh and then we cry. The only difference here (and it's a big one) is that we're looking at actual subjects that existed or still exist. We cry for Los Angeles, you ask? Well, I'm not at liberty to discuss the poignancy that's present it must be experienced firsthand in order to attain those surprise tears that are greatly missing in our movies.
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