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Añade un argumento en tu idiomaThe story of Jesus' life as told by the apostle John, narrated by Christopher Plummer.The story of Jesus' life as told by the apostle John, narrated by Christopher Plummer.The story of Jesus' life as told by the apostle John, narrated by Christopher Plummer.
- Premios
- 1 premio y 3 nominaciones
Paul Alexander Nolan
- Bridegroom
- (as Paul Nolan)
Heinar Piller
- High Official #3
- (as Heinar Pillar)
Argumento
¿Sabías que...?
- CuriosidadesThe dialog follows the Good News Bible, word for word, in sequential order from beginning to end.
- PifiasAfter Jesus performs his first miracle of turning the water into wine at the wedding feast, he pours the wine into what has to be a plastic cup (to help us see the color of what was water).
- Citas
Jesus Christ: A person who has had a bath needs only to wash his feet; his whole body is clean, and you are all clean, all except one.
- ConexionesFollows The Visual Bible: Matthew (1993)
- Banda sonoraSymphony No.5
Music by Valentin Silvestrov
Performed by The Ural Philharmonic Orchestra
Conducted by Andrey Boreyko
Produced by Megadisc
Reseña destacada
Henry Ian Cusick is brilliant portraying Jesus of Nazareth
This film premiered at the Toronto International Film Festival. Amazingly, it avoided all of the mistakes made in most other attempts to tell this story. The Bible's presentation of the story of Jesus is based primarily on four narratives--each stamped with its author's own personality and unique perspective.
Many previous films have sampled more than one of the Biblical narratives on the life of Christ. Also, they needlessly added scenes not found in the original sources. The authors of those screenplays in merely sampling from several sources, lost the unique focus of each respective author and diluted the overall effect of the story.
This film is based on John Goldsmith's screenplay which deftly avoids all the laughably silly cliches of previous film versions. Goldsmith's screenplay is based on only one man's perspective, that of Jesus' disciple John. Many stories with which the viewer is familiar, such as the nativity, are missing from John's gospel and therefore also from this wonderfully complex and yet lucid screenplay. Jesus' words are not here presented as pious platitudes, but occur within a context where Jesus responded to those around him.
The dialogue is solely based on the Good News Bible (also known as Today's English Version) Christopher Plummer very ably supplies the verse by verse narration from the same source. His delivery re-enforces the clarity of what is on the screen. Most of the other actors were not known to me--which I felt helped. (What part could one give to an actor who previously portrayed a drug dealer?)
Jesus is brilliantly portrayed by Henry Ian Cusick as Jesus the man with human emotions, Jesus the visionary resented by the religious establishment of his day. This Jesus did not refer to them for his authority. Cusick, convincingly portrays Jesus the carpenter as a handsome, masculine, very charismatic man. Cusick is very much equal to the task. I spoke very briefly with Cusick after the screening, thanking him for his portrayal of a part that is loaded with hazards--all of which he avoided. I hope we see a great deal more of this fine actor.
The music by Jeff Danna is wonderful--well beyond what I could have hoped for.
One friend of mine at the screening expressed his concern that this film in portraying Jesus' death at the hands of the Jewish establishment might make it vulnerable to accusations of Antisemitism. I reassured him that in its earliest days, Christianity was a sect within Judaism. Almost all the people portrayed in The Gospel of John were Jewish. It was not until the destruction of Jerusalem by the Romans in AD 70 that the Christian sect became predominately Gentile.
Director Philip Saville has done an enviable job directing a project that was fraught with artistic traps.
I hope this film receives very wide distribution. Even Christian conservatives should be very happy with it.
Many previous films have sampled more than one of the Biblical narratives on the life of Christ. Also, they needlessly added scenes not found in the original sources. The authors of those screenplays in merely sampling from several sources, lost the unique focus of each respective author and diluted the overall effect of the story.
This film is based on John Goldsmith's screenplay which deftly avoids all the laughably silly cliches of previous film versions. Goldsmith's screenplay is based on only one man's perspective, that of Jesus' disciple John. Many stories with which the viewer is familiar, such as the nativity, are missing from John's gospel and therefore also from this wonderfully complex and yet lucid screenplay. Jesus' words are not here presented as pious platitudes, but occur within a context where Jesus responded to those around him.
The dialogue is solely based on the Good News Bible (also known as Today's English Version) Christopher Plummer very ably supplies the verse by verse narration from the same source. His delivery re-enforces the clarity of what is on the screen. Most of the other actors were not known to me--which I felt helped. (What part could one give to an actor who previously portrayed a drug dealer?)
Jesus is brilliantly portrayed by Henry Ian Cusick as Jesus the man with human emotions, Jesus the visionary resented by the religious establishment of his day. This Jesus did not refer to them for his authority. Cusick, convincingly portrays Jesus the carpenter as a handsome, masculine, very charismatic man. Cusick is very much equal to the task. I spoke very briefly with Cusick after the screening, thanking him for his portrayal of a part that is loaded with hazards--all of which he avoided. I hope we see a great deal more of this fine actor.
The music by Jeff Danna is wonderful--well beyond what I could have hoped for.
One friend of mine at the screening expressed his concern that this film in portraying Jesus' death at the hands of the Jewish establishment might make it vulnerable to accusations of Antisemitism. I reassured him that in its earliest days, Christianity was a sect within Judaism. Almost all the people portrayed in The Gospel of John were Jewish. It was not until the destruction of Jerusalem by the Romans in AD 70 that the Christian sect became predominately Gentile.
Director Philip Saville has done an enviable job directing a project that was fraught with artistic traps.
I hope this film receives very wide distribution. Even Christian conservatives should be very happy with it.
útil•573
- adykstra-1
- 12 sept 2003
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- How long is The Gospel of John?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- Títulos en diferentes países
- The Life of Jesus
- Localizaciones del rodaje
- Tabernas, Almería, Andalucía, España(Cave scene)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 10.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 4.069.090 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 98.363 US$
- 28 sept 2003
- Recaudación en todo el mundo
- 4.078.741 US$
- Duración3 horas
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the Spanish language plot outline for The Gospel of John (2003)?
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