When a young girl becomes lost in the hustle and bustle of Tehran, her journey turns into a dazzling exercise on the nature of film itself. In this ingenious and daringly original feature, ... See full summary »
Mina Mohammad Khani,
In a secluded house by the sea with the curtains shut, a screenwriter hides from the world with only his dog as company. The tranquility is abruptly broken one night by the arrival of a ... See full summary »
It's been months since Jafar Panahi, stuck in jail, has been awaiting a verdict by the appeals court. By depicting a day in his life, Panahi and Mojtaba Mirtahmasb try to portray the deprivations looming in contemporary Iranian cinema.
A peine sorti de prison, Kamel (Rabah Ameur-Zaïmeche) est expulsé vers son pays d'origine, l'Algérie. Cet exil forcé le contraint à observer avec lucidité un pays en pleine effervescence, ... See full synopsis »
Irreverent city engineer Behzad comes to a rural village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
Roushan Karam Elmi
For Hussein, a pizza delivery driver, the imbalance of the social system is thrown in his face wherever he turns. One day when his friend, Ali, shows him the contents of a lost purse, Hussein discovers a receipt of payment and cannot believe the large sum of money someone spent to purchase an expensive necklace. He knows that his pitiful salary will never be enough to afford such luxury. Hussein receives yet another blow when he and Ali are denied entry to an uptown jewelry store because of their appearance. His job allows him a full view of the contrast between rich and poor. He motorbikes every evening to neighborhoods he will never live in, for a closer look at what goes on behind closed doors. But one night, Hussein tastes the luxurious life, before his deep feelings of humiliation push him over the edge.Written by
Sujit R. Varma
Crimson Gold, one of the best films of the year, is absolutely stunning from start to finish. It's gritty and captures the essence of the social struggles in Iran while consistently delivering messages on the struggles we all face in life regarding love and relationships. It's a humanistic film that is extremely subtle, which turned off several viewers (as does Taxi Driver, one of my all-time favorites). Jafar Panahi's slow pacing doesn't allow the film to go into incoherent territory, but again, some viewers may be turned off by this. The pacing is really what allows the messages to set in and provoke the viewers thoughts. It's worth every second of your time, don't miss this gem.
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