A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother and dealing with an entire community that has returned from the dead to eat the living.
A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes according to plan.
Following Kick-Ass' heroics, other citizens are inspired to become masked crusaders. But Red Mist leads his own group of evil supervillains to get revenge, kill Kick-Ass and destroy everything he stands for.
Chloë Grace Moretz,
Shaun doesn't have a very good day, so he decides to turn his life around by getting his ex to take him back, but he times it for right in the middle of what may be a zombie apocalypse... But for him, it's an opportunity to show everyone he knows how useful he is by saving them all. All he has to do is survive... And get his ex back.Written by
The music track that plays over the WB and production logos at the beginning of the film is titled "Figment's Park" from the De Wolfe Music Library. Additionally, the music featured when Shaun discusses his plan for rescuing Liz and his mother is incidental music created by Italian band "Goblin". Both tracks were featured prominently in George Romero's Dawn of the Dead. See more »
When Shaun and Ed hit the man in the road while driving Pete's car, he flies over the top and hits the back window, crazing it but not smashing it. When they reverse to check whether he's all right, and in subsequent shots, the window is undamaged. See more »
When there is no more room in hell, Shaun will walk the earth and...
...He'll kill some zombies too! Brace yourself for some nonstop zombie action and laughs with the delightful horror-comedy "Shaun of the Dead."
Armed with a cricket bat, razor-sharp wit, and an attitude, Shaun (Simon Pegg) is perhaps the last guy that you'd want to save the world from the legions of the living dead that have suddenly begun to storm the London neighborhood where he lives. It could be stated, as this is a running gag here, that we're all dying slow deaths, so it's no surprise that when zombies begin to eat the flesh of the living, Shaun couldn't be any more oblivious to the chaos that has gripped most of London.
Shaun loves his dead-end existence of wasting his days at the Winchester, a local pub, with his friend and flat mate Ed (Nick Frost). The film's money shot arrives about 20 minutes in, when Shaun, hungover from a hard night's drinking, goes to the store and because he's so hungover and is worried about his ex-girlfriend Liz (Kate Ashfield), he doesn't even notice that the street behind him is teeming with the living dead.
While in the store buying a beverage, he doesn't notice the bloody handprints on the refrigerator door and he almost slips in a puddle of blood. I was quite amazed at the response this film got from people in the theater: it seemed that every time something funny happened, the response was almost always with riotous laughter.
Straight from Britain, we have what is certainly one of the most original horror movies to come out in a long time. Even in a genre that embraces gore, "Shaun of the Dead" is fairly light on it (at least for the first 45 minutes) and is dominated by laughs galore.
You may remember the character of "Ash" (Bruce Campbell of "Evil Dead" fame), who has remained pretty much the supreme demon slayer in the horror genre. But you know, Campbell's pushed past 40 and people today may not be weary of his history slaying evil Deadites in Sam Raimi's notorious film series. So maybe with "Shaun of the Dead," the torch has been passed to Simon Pegg, who slays more than his fair share of the living dead in this film.
It's pretty obvious that "SOTD" was greatly influenced by the works of George A. Romero (the director of 1978's supreme epic of zombie action-mayhem "Dawn of the Dead") and 2002's "28 Days Later" (directed by Danny Boyle). There are little itty-bitty references to the two zombie flicks throughout the movie.
Granted "Shaun of the Dead" is aimed largely at the gorehounds who idolized Romero's "Living Dead" trilogy, but it's also the first zombie flick to attempt making a hit with the mainstream. I guarantee any viewers out there that you'll spend more time laughing than you will being frightened.
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