5.9/10
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The Brothers Grimm (2005)

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Will and Jake Grimm are traveling con-artists who encounter a genuine fairy-tale curse which requires true courage instead of their usual bogus exorcisms.

Director:

Terry Gilliam

Writer:

Ehren Kruger
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Popularity
2,508 ( 581)
4 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Petr Ratimec Petr Ratimec ... Young Will
Barbora Lukesová ... Mother Grimm (as Barbara Lukesova)
Anna Rust ... Sister Grimm
Jeremy Robson Jeremy Robson ... Young Jacob
Matt Damon ... Wilhelm Grimm
Heath Ledger ... Jacob Grimm
Radim Kalvoda ... Gendarme
Martin Hofmann ... Gendarme
Josef Pepa Nos Josef Pepa Nos ... German War Veteran
Harry Gilliam Harry Gilliam ... Stable Boy
Miroslav Táborský ... Old Miller
Roger Ashton-Griffiths ... Mayor
Marika Sarah Procházková ... Miller's Daughter (as Marika Prochazkova)
Mackenzie Crook ... Hidlick
Richard Ridings ... Bunst
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Storyline

Folklore collectors and con artists, Jake and Will Grimm, travel from village to village pretending to protect townsfolk from enchanted creatures and performing exorcisms. They are put to the test, however, when they encounter a real magical curse in a haunted forest with real magical beings, requiring genuine courage. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Who's The Fairest Of Them All See more »


Motion Picture Rating (MPAA)

Rated PG-13 for violence, frightening sequences and brief suggestive material | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA | Czech Republic | UK

Language:

English | French | German | Italian

Release Date:

26 August 2005 (USA) See more »

Also Known As:

Los hermanos Grimm See more »

Filming Locations:

Czech Republic See more »

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Box Office

Budget:

$88,000,000 (estimated)

Opening Weekend USA:

$15,092,079, 28 August 2005, Wide Release

Gross USA:

$37,916,267, 20 October 2005

Cumulative Worldwide Gross:

$105,316,267
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Historically, Jacob Grimm was older than his brother Wilhelm Grimm. Jacob was born in 1785 and Wilhelm in 1786. See more »

Goofs

When Jacob flies through the tower window and smashes into the floor, the handle of the "metal" ax in his hand bends. See more »

Quotes

[first lines]
Sister Grimm: Mama, it's so cold.
Mother Grimm: It's very, very cold. Will. Put another log on the fire, lad.
Young Will: There isn't any more firewood, Mama.
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Crazy Credits

Terry Gilliam and Tony Grisoni are credited as "Dress Pattern Makers", a reference to their uncredited rewrite of Ehren Kruger's script. See more »

Connections

Referenced in Terry's Wrap Up Party (2004) See more »

Soundtracks

La Marseillaise
(1792) (uncredited)
Written by Claude Joseph Rouget de Lisle
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User Reviews

 
Do people read any more? A folk tale for adults.
5 March 2006 | by sschwaSee all my reviews

Like his Baron Munchhausen, Gilliam's Brothers Grimm has been horridly misunderstood by critics and public alike. What I get from the comments and reviews is the sense of thwarted expectations, although I have little idea what the anti-Grimms expected in the first place. People dislike the kitten scene because it's a cute kitten. This I find entirely in the grotesque spirit of the original folk tales. We've learned to take our fairy tales Disneyfied, apparently. I've also heard complaints about the quality of the special effects as sub-ILM quality. Frankly, that's what I liked about them. They *didn't* look like ILM; they looked personal. I admit I found the basic premise a cliché (two con men who make their living on the superstitious gullible find out that, in this case, the magic is real), but its working-out overcomes this basic flaw. This is a movie that shuns cliché. The brightest scenes, for example, almost always contain the greatest menace. Relative safety is drab, dirty, brutish, nasty, and short. Ledger gives an amazing performance -- I had previously regarded him as a Troy Donahue update. Matt Damon shows he has the chops to cross over from small "indies" to big performances in the old leading-man vein. Peter Stromare and Jonathan Pryce do a highbrow Martin & Lewis -- Stromare all over the place and Pryce coolly self-contained -- to hilarious effect. The faces alone in this movie are wonderful, hearkening back to the glory days of Leone. There are so many telling details in the background ("Bienvenue a Karlstadt") -- let alone the foreground -- that show Gilliam's mastery. Harry Potter (which I enjoyed), Lord of the Rings, and Chronicles of Narnia are for the kiddies and show us worlds we can, with effort, control. Gilliam doesn't offer any such comfort, not even at the end. The sense of menace is overwhelming, and Gilliam achieves it without super-special effects, usually camera movement (the shots following Little Red Riding Hood through the forest made my jaw drop). A brilliant film, operating at a high level we don't see much of these days. Someone compared the movie to Burton's Big Fish, another film dismissed or ignored by critics and public. Although Burton's and Gilliam's sensibilities differ, I take the writer's point. The confident, poetic handling of myth and archetype in both astonishes.


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