In 1986, in the province of Gyunggi, in South Korea, a second young and beautiful woman is found dead, raped and tied and gagged with her underwear. Detective Park Doo-Man and Detective Cho Yong-koo, two brutal and stupid local detectives without any technique, investigate the murder using brutality and torturing the suspects, without any practical result. The Detective Seo Tae-Yoon from Seoul comes to the country to help the investigations and is convinced that a serial-killer is killing the women. When a third woman is found dead in the same "modus-operandi", the detectives find leads of the assassin.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
One deleted scene shows detective Cho walking in a red light district, and then getting a massage from a girl as he asks her about possible leads regarding the murders. The scene was shot in a real red light district, and they had to ask the local pimp for permission to film. See more »
When Detective Park shows murder suspect Kwang-ho a picture of the footprint in the dirt, Park is also holding a right foot sneaker that matches the print in the picture. However, the footprint in the picture would have been made by a left foot sneaker. The print and the correct shoe making it would have been reverse images of each other. See more »
The British DVD by Optimum Releasing has 5 minutes cut omitting the whole part of the film between the release of the last suspect and Detective Seo Tae-Yoon shadowing him. Therefore important scenes for the development of the story are missing, such as when the detectives are informed about the possibility of a DNA analysis of sperm found on one of the victim's clothes and that the sample has to be sent abroad because the required equipment is not in Korea. Also missing is the sequence where Detective Cho Yong-koo loses his leg and a scene with Kwok Seol-yung asking Detective Park Doo-Man to quit the police. See more »
Since a synopsis would be redundant here, I'll confine myself to praise alone.
Each positive comment that precedes this is accurate. I watched this movie yesterday. I couldn't take my eyes off it. Everything taking place on screen was riveting, from the simple act of walking down a dark lonely road in the rain, to a wild chase by three desperate detectives. This movie held me in thrall.
As a new viewer of Asian movies, I try to analyze the reason I tend not to be interested in western works any longer. I finally came to the conclusion that it has to do with the accessibility of the players. They seem to be people first, actors by choice, and stars, by the public making them so.
In Memories of Murder, I saw this human factor almost too painfully. By the end of the story, I was in tears. Even now, the mood prevails. It's been so long since these crimes took place, and I don't know absolutely that they remain unsolved, but I think it's the case, and I think about that, and how frustrating it still must be to those who worked on the case.
The actors have become the people in my mind, and the horrible sense of defeat that becomes palpable eventually, is heartbreaking. When one relates to the inroads made on the health; mental and physical; of the detectives, who are ultimately portrayed as tireless and completely dedicated to the case, you realize that you've watched something that is historic. You have seen the probable truth.
The way this movie draws you into it, so that you are walking through dangerous rain, with a warning shout in your throat, points to the brilliance of the director and the players.
It is difficult to say, "I love this movie", just as it is hard to say, I love Silence of the Lambs, because love is a peculiar word to use for such fare.
But yes, I love it for the fact that during it, I was in a small village in South Korea in a terrible era of sirens blaring, military dictatorship, and the hopeless pursuit of a serial killer. I landed back here in this time and place with a thud, only after turning off the DVD player, and going to the kitchen for a glass of water. While I was caught there mentally---I felt the desperation, and I felt the defeat and the sorrow of the detectives, who were essentially decent enough human beings when all was said and done.
There are not many movies that can time-travel you into their present. This will do it.
I most seriously recommend that you view the interviews with the director and the stars (all of them are stars of a special kind in my mind) in order to dispel some of the hold the story will have on you.
These are incredibly interesting people, and it's a sheer joy to see them smiling and peaceful. They're intelligent, educated and articulate. The younger members of the cast, the less seasoned, are so beautiful in their desire to do it right.
They definitely did it right. They were wonderful, and they thanked the interviewer. How lovely that was to see.
I watched the movie using the English subtitles rather than the English dubbing because I wanted the authenticity. The subtitles were very good.
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