Laconic and self-contained, Edward Wilson heads CIA covert operations during the Bay of Pigs. The agency suspects that Castro was tipped, so Wilson looks for the leak. As he investigates, he recalls, in a series of flashbacks, his father's death, student days at Yale (poetry; Skull and Bones), recruitment into the fledgling OSS, truncated affairs, a shotgun marriage, cutting his teeth on spy craft in London, distance from his son, the emergence of the Cold War, and relationships with agency, British, and Soviet counterparts. We watch his idealism give way to something else: disclosing the nature of that something else is at the heart of the film's narration as he closes in on the leak.Written by
The name "Bay of Pigs" is a direct translation of "Bahia de Cochinos". See more »
When Edward receives his orders from General Sullivan, the NCO who delivers the envelope wears, on his left shoulder, a red/white patch with a capital A for the First Army. That insignia was not approved until March 1949, the First Army patch in use in 1940 was just a capital A on an olive drab background. See more »
Not for the dim or distracted, an outstanding film.
Not for the dim or distracted, this outstanding trans-generational exploration of father/son paranoia and betrayal fueled by unresolved oedipal turmoil takes us on a historical tour of US Intelligence from the OSS of World War II to the Bay of Pigs. Acting, editing and directing are all superb. The characters are complex and vital, and the relationships textured.
No narrative spoon-feeding here. The viewer shares in the protagonist's bewilderment of who's who and what's what, which may be more than the viewer bargained for. If a second screening is needed to sort out the nuance of it all, consider it well worth the cost of the ticket. -Doug
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